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American Road Trip: New York Mix Vol. 2

October 9th, 2009 3 comments

It seems that the first New York City mix was well received, so here’s another one. There will be at least one more (or two, depending on how popular this one turns out to be), next time going retro in black and white — like all the great New York photos.

NY_plane* * *

TRACKLISTING
1. Frank Sinatra, Gene Kelly, Jules Munchin – New York, New York (excerpt) (1949)
NYC hook: It’s our three sailor friends’ first time in New York, and having just arrived on shore leave (happily in New York, not in LA where they might have gone on to beat up Mexicans), they already presume it to be “a helluva town” because “the Bronx is up, but the Battery’s down”. Additionally, “the people ride in a hole in the ground” (as they do in many other cities, so big deal, chums).

2. Frank Sinatra & Tony Bennett – New York New York (1994)
NYC hook: Let’s face it, our boy from Hoboken was a promiscuous man when it came to American cities. Chicago? His kind of town! L.A.? It’s a lady he can’t say goodbye to. Las Vegas? He made it! And New York? Well, more of a challenge than a love affair; it seems. By the way, the song needs no fucking high-kicks, party goers.

3. Theme – Seinfeld (1989)
NYC hook: Would Seinfeld have worked had it been set anywhere else? Nah!

4. Klaatu – Sub-Rosa Subway (1976)
NYC hook: The song that caused speculation about a clandestine Beatles reunion. Alas, it was just a bunch of Canadians with a funny name singing about Alfred Beach, the man who built America’s first subway in New York, based on the London Underground. (More on Beach)

5. NRBQ – Boys In The City (1972)
NYC hook: You might leave New York for the country, but you’ll still sing about “the trees in the Park”.

6. Harry Nilsson – I Guess The Lord Must Be In New York City (1969)
NYC hook: New York as the new Jerusalem instead of its usual role as a fetid Babylon. So Harry makes his pilgrimage to the city permanent, leaving all his sorrows behind. Same year, he soundtracked Hoffman and Voight’s exit from bad, bad NYC.

7. Mason Jennings – New York City (2002)
NYC hook: Jennings is in love in and with New York City.

8. Kevin Devine – Brooklyn Boy (2006)
NYC hook: The eponymous lad is doing coke on his birthday, prompting Kev — rarely a herald of rampant cheer — to launch into an apocalypso.

9. Ian Hunter – Central Park N West (1981)
NYC hook: Hunter obviously hates living in stinky, crime-ridden, burning New York City. Except he doesn’t: “You’ve got to be crazy to live in the city, and New York city’s the best.”

10. Donavan Frankenreiter – Spanish Harlem Incident (2007)
NYC hook: A rather decent cover of Dylan’s 1964 song about having steamy, casual interracial sex.

11. Bobby Womack – Across 110th Street (1972)
NYC hook: 110th Street is the street that divides Harlem and Manhattan. Bob is not painting a pretty picture of what lies at the other side of Manhattan: pimps and hookers, pushers and junkies jostling on the streets of “the capital of every ghetto town”.

12. Billy Joel – New York State Of Mind (1976)
NYC hook: The New Yorker might leave the city for Miami Beach or for Hollywood, but if they are anything like Bronx-born, Long Island-raised Billiam, they’ll miss the New York Times and Daily News (but not the Post, it seems) so much, they’ll feel compelled to return.

13. Ella Fitzgerald – Manhattan (1956)
NYC hook: On his wonderful radio show, Bob Dylan described the Rodgers & Hart song as a love letter to New York City. Who knew that Zimmerman had a way with words? Ella is full of giddy tenderness as she provides us with a partial road map of the city. Are pushcarts still gliding gently on Mott Street?

14. Hem – Great Houses Of New York (live) (2006)
NYC hook: Native New Yorkers Hem don’t need to mention the city in a song that incorporates its name in the title to prove that it’s set there. It suffices to refer to NYC’s winter climate as a metaphor for a dying relationship, a recurring theme in Hem’s beautiful songs..

15. The Mamas & The Papas – Twelve-Thirty (Young Girls Are Coming To The Canyon) (1968)
NYC hook: The Mamas and the Papas lived in New York before moving to Hawaii and then to California. It seems fair to say that they didn’t dig New York — “every thing there was dark and dirty “ — and this is their fuck-you note to the city. Most likely, the Daily News won’t be enough to lure them back.

16. Odyssey – Native New Yorker (1977)
NYC hook: Two decades before Thingymajig Bradshaw in Sex And The City made her, erm, acute observations about the politics of sex, Odyssey had it already figured out: “No one opens the door for a native New Yorker.” So, like, take charge of your life yourself, girl!

17. Elkow Bones & The Racketeers – A Night In New York (1983)
NYC hook: A sadly ignored club gem whose horns sounds like New York traffic to me. Delicious.

18. Nicole with Timmy Thomas – New York Eyes (1985)
NYC hook: What in the name of all that’s ophthalmological are these New York Eyes that have short-lived soul starlet Nicole attracted to ’70s soulster Timmy Thomas (who I presume provides the groovy keyboard here)? Whatever they are, reciprocally gazing at Nicole’s NY eyes, they make Timmy feel good inside.

19. Beastie Boys – An Open Letter To NYC (2005)
NYC hook: And it’s another love letter: “Brooklyn, Bronx, Queens and Staten, from the Battery to the top of Manhattan. Asian, Middle-Eastern and Latin, black, white — New York you make it happen.”

20. LL Cool J feat. Leshaun Williams – Doin’ It (1995)
NYC hook: Six people are credited with writing this droll ode to physical intimacy. None of them have sought to distance themselves from this lyrical gem which surely provides all the required evidence to support the notion that ladies really can’t help themselves but love Cool James. Mr Toddrattles off the specials on today’s hum menu: “It’s the first time together and I’m feeling kinda horny, conventional methods of makin’ love kinda bore me. I wanna knock your block off, get my rocks off, blow your socks off, make sure your G-spot’s soft” (you get hard G-spots? And, more importantly, how do you get away rhyming “off” with “soft”?). With Cool James, sex is a matter of territorial chauvinism, not unlike the so-called World Series. He points out that he represents Queens, whose residents may well jostle for prime bedside seats, the better to cheer on their local stud muffin. Cool James’ hopefully softly G-spotted friend was raised “out Brooklyn”, where she learnt to yearn for a “Big Daddy” who might “pull my hair and spank me from the back” and finish off with some “candy rain”. Just as the contender from Queens might, if his dick is as big as his braggadocio.

21. Ben Folds – Rock This Bitch (NYC version) (2004)
NYC hook: Some “motherfucker in Chicago” once shouted out “rock this bitch” at a Ben Folds gig, giving rise to a tradition whereby Folds (evidently reluctantly) improvises a new “Rock This Bitch” version on the spot. As he did in this recording from the 2004 Summerstage concert. “R.O.C.K. with your C.O.C.K. out, in N.Y.C.”

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(Mirror 1 Mirror 2)

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New York City – Any Major Mix Vol. 1

http://en.wikipedia.org/wiki/Alfred_Beach#Subway

Have Song, Will Sing Vol. 1

July 27th, 2008 6 comments

Last year I did a series of Songbirds which seems to have been quite popular, showcasing female artists who fall within the singer-songwriter genre which unaccountably has acquired something of a bad name among the critics. In my view, the genre has not been in a more fertile state since the 1970s. Indeed, it is probably more varied now than it was then.

I’ve thought of doing a similar series on male singer-songwriters (which I might call “Singers with names like schoolteachers”, borrowing a great dig from the Welsh music writer Simon Price). In the meantime, here is a collection of some of the male singer-songwriters I hold in high esteem. What they have in common is that they write the songs they sing, and are broadly, if not invariably, acoustic performers. But the mix transcends such narrow characterisations. Their sensibilities range from folk (such as Mason Jennings) to pop (Bob Evans, Benji Cossa) to indie (Jens Lekman, Josh Ritter) to soul (Amos Lee) to country (Joe Purdy) to rock (Charlie Sexton, Scott Matthews). Most are American, but other nations are also represented, such as Australia (Evans), England (David Ford), Sweden (Lekman) and South Africa (the excellent Farryl Purkiss).

Some are well-known (such as Damien Jurado or, again, Ritter and Lekman), others are without a record contract. Josh Woodward, whose previous album I enjoyed very much, has made his new, very good double set titled The Simple Life available for free download on his website. If you like the sample track on this mix, download it and share it widely. TV viewers will recognise the Steve Poltz song from the Jeep ad, while Landon Pigg’s voice is used to advertise diamonds (albeit with a different, very beautiful, song).

My shortlist is not exhausted. If this mix proves popular, I intend to compile a volume of Songbirds and then a co-ed one. Let me know what you think.

As always, the mix should fit on a standard CD-R.

1. Steve Poltz – You Remind Me (from Chinese Vacation, 2003)
2.
Bob Evans – Friend (from Suburban Songbook, 2006)
3.
Farryl Purkiss – Ducking And Diving (from Farryl Purkiss, 2006)
4.
Mason Jennings – Which Way Your Heart Will Go (from Boneclouds, 2006)
5.
Landon Pigg – Can’t Let Go (from Coffee Shop EP, 2008)
6.
Joshua Radin – The Fear You Won’t Fall (from Unclear Sky EP, 2008)
7.
Jay Brannan – Can’t Have It All (from Chinese Vacation, 2003)
8.
David Ford – Cheer Up (You Miserable Fuck) (from I Sincerely Apologise For All The Trouble I’ve Caused, 2005)
9.
Josh Ritter – Wait For Love (You Know You Will) (from The Historical Conquests Of, 2007)
10.
Damien Jurado – Simple Hello (from On My Way To Absence, 2005)
11.
Charlie Sexton – Cruel And Gentle Things (from Cruel And Gentle Things, 2005)
12.
Griffin House – Just A Dream (from Lost And Found, 2004)
13.
Josh Woodward – History Repeats (from The Simple Life, 2008)
14.
Jens Lekman – I Saw Her in the Anti War Demonstration (from Oh You’re So Silent Jens, 2005)
15.
Kevin Devine – Probably (from … travelling the EU EP, 2003)
16.
Joe Purdy – Why You (from Only Four Seasons, 2006)
17.
Amos Lee – Long Line Of Pain (live) (from Supply And Demand, 2006)
18.
Elvis Perkins – Ash Wednesday (from Ash Wednesday, 2007)
19.
Scott Matthews – Passing Stranger (from Passing Stranger, 2007)
20.
Benji Cossa – The Show Is Over Everywhere (from Between The Blue And The Green, 2007)

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Music for a wedding

March 5th, 2007 1 comment

Sountrack to this blog:
Ben Folds – The Luckiest (left-click)
Mason Jennings – Ballad For My One True Love (left-click)
The Weepies – Somebody Loved (live) (right-click and “save target as”)
Bob Schneider – The World Exploded Into Love (right-click and “save target as”)
Sadao Watanabe & Roberta Flack – Here’s To Love (right-click and “save target as”)

Oh my, what an exciting weekend: Liz Hurley got married!!! I learned all about what must be one of the great stories of the year from Sky News, purveyors of all the modern person needs to know.

On Saturday morning, Sky interviewed a wedding planner. Because such erudite insights into matters of this nature are crucial to our understanding of the world. Explaining why Ms Hurley needed a flashy celebrity wedding reception (at which the only acceptable gift was an organic cow, going rate £3,000; presumably an ironic statement relating to Hurley’s purported character), Ms Wedding Planner excitedly proclaimed: “Imagine Liz went to the local registrar’s office to get married and then to a three-star hotel for a chicken dinner. We’d all be disappointed!” By Jupiter, how we would be!

It is one of life’s graces that Ms Hurley does care about us, and so had a just super wedding, with even shy and retiring Elton John on the celeb-studded guest list (important, because the quality and quantity of celebrities in attendance dictate the fee Ms Hurley receives from whatever gossip magazine secured the rights for the obligatory wedding photo-spread). The threat of our collective disappointment was averted. It just makes it so much easier coping with the climate change, the impenetrable mess in Iraq, and the worrying prospect of Rudy Giuliani succeeding the putrid spawn of Satan, if we know that Liz Hurley did not have a plebian nuptial ceremony at the local 3-star dig.

I went to a wedding last week. Elton John wasn’t there, but I heroically endured that obvious cause for distress. The bride also didn’t ask for organic cows. So we gave her a lovely casserole dish, as one does. But we abstained from buying the traditional congratulatory card.

Oh, the congratulatory message is necessary, even if I one gets to see the bride only every five years (at funerals, mostly) and makes one’s introduction to the lucky groom only on the wedding day. One is delighted and genuinely touched to have been invited. But here’s the problem: you buy a carefully-chosen and diabolically expensive greeting card, and scribble an awkward message inside. It will not be remembered in competition with all the other cards from closer friends and family. And after a decent period of prominent display, it will be packed away, never to be seen again until the couple moves or splits. And then it will be (ahem) discarded.

The casserole dish will soon be forgotten, but our good wishes hopefully not. For our mode of conveying congratulations was at once creative and thrifty: in lieu of tacky cardboard, the bridal couple received a mix-tape (on CD-R, but let’s continue, for sake of tradition, to call it a mix-tape). Don’t think I’m cheap: I spent the best part of three hours collating appropriate songs — and at my hourly rates, the couple easily recouped their financial outlay for two wedding dinners.

Selecting appropriate songs wasn’t easy. For one, I don’t know what sort of music the happy couple prefers to listen to. For all I know they are devotees of Gorgoroth and their death metal chums. Or perhaps they are faithful only to the deplorable Celine Dion, Anastasia and Simply Red — and a spot of Coldplay if they feel really edgy. (In the event, Joshua Kadison provided the first “waltz”, and Al Green the exit dance). This lack of knowledge complicates the song selection. And yet, the reason I enjoy making mix-tapes is to share the music I love, perhaps introducing the recipient to new favourites. Because I have excellent taste in music, obviously.

But it isn’t good enough to bang together a mix-tape for virtual strangers on one’s egocentric speculation. Not many people want to hear 20 unknown tracks by obscurities they have never heard about, and probably never would have. The trick is to sprinkle such a collection with tracks the listener can identify with, even at the cost of compromising the compiler’s integrity.

And then there was the challenge of finding songs with the right lyrics. I have discovered that there are many love songs that sound perfectly romantic – until a subtle twist in the lyrics rendered them useless for purposes of expressing “true love”. Few things in life are more embarrassing than two lovers playing James Blunt’s “You’re Beautiful” to each other because, you know, she really is beautiful. I’ve heard of couples playing this at their weddings, as if the line “she was with another man” did not subtly hint at a lyrical context quite at variance with the notion of a romantic union saturated with perpetual bliss.

In short, only about half of the songs are representative of my musical evangelisation work. But if this mix-tape inspires the couple to get into, say, the Weepies or Iron & Wine or Ron Sexsmith, my mission will have been accomplished.

So every song a proper love song, with lyrics and music better than Will Young’s ubiquitous “Evergreen” (OK, open goal. Shoot already!). Listening to this CD of love songs, I contemplated building a fireplace, shoot and skin a luxuriously furry animal, put on these 22 songs on loop, and make long passionate love to the love of my life.

So, here’s what the newly-weds listened to, I hope, as they consummated their marriage:

The Platters – With This Ring
‘Baby, I never thought so much love could fit in a little band of gold. But I’m telling you, darling, I feel it in my heart, got it in my soul.’

Sadao Watanabe & Roberta Flack – Here’s To Love
‘You fill my life with love and joy…a toast to all the things you are, my light and shining star’

Eric Benét feat. Tamia – Spend My Life With You

‘The years will roll by, but nothing will change the love inside of you and I’

Shawn Colvin – When You Know

‘When it’s clear this time, you’ve found the one, you never let him go’

Lifehouse – You And Me

‘Everything she does is beautiful, everything she does is right’

Ben Folds – The Luckiest
‘And where was I before the day that I first saw your lovely face? Now I see it e

veryday, and I know.’ (Possibly the greatest love song of all time)

Bob Schneider – The World Exploded Into Love
‘The world exploded into love all around me, and every time I take a look around me, I have to smile’ (Not too sure whether the lyrics don’t invite alternative interpretations, actually… Download it and hear.)

Ben Harper – By My Side

‘My care for you is from the ground up to the sky it’s over under up above down below and to the side.’

Al Green – Let’s Stay Together

‘Lovin’ you whether, whether, times are good or bad, happy or sad.’

Minnie Riperton – Loving You

‘No one else can make me feel the colors that you bring. Stay with me while we grow old, and we will live each day in springtime.’

Earth, Wind & Fire – Be Ever Wonderful

‘And be ever wonderful, stay as you are. Stay as you are, won’t you stay in your own sweet way.’

Anita Baker – Giving You The Best That I Got

‘I bet everything on my wedding ring, I’m giving you the best that I got, givin’ it to you baby.’

Ron Sexsmith – Whatever It Takes

‘The sun alone will never do, without your love to shine on through’

Jonny Lang – Beautiful One

‘I gave my word, I made a promise And I’m gonna keep it til the end’

Alexi Murdoch – Love You More

‘I’m gonna love you more’ (That’s the lyrics, basically)

Peter Mayer – Now Touch The Air Softly

‘And I’ll love you as long as the furrow the plow, as However is Ever, and Ever is Now.’ (I owe the Late Greats blog for this.)

The Weepies – Somebody Loved

‘Now my feet turn the corner back home. Sun turns the evening to rose, stars turning high up above. You turn me into somebody loved.’ (Another one I’m not 100% of, but it’s a lovely sentiment.)

Richard Hawley – Baby, You’re My Light

‘But I believe in you and now I’ll show it. And as life goes on you know you don’t have to hate all you find. Baby, you’re my light.’

Rascal Flatts – I Melt

‘Don’t know how you do it, I love the way I lost it every time. And what’s even better
is knowing that forever you’re all mine.’

Mason Jennings – Ballad For My One True Love
‘And all the while I ‘m dreaming of the ballad for my one true love, searching for the perfect way to say: I love you sweetheart, this is my dream come true.’

Eastmountainsouth – So Are You To Me

‘As the ruby in the setting, as the fruit upon the tree, as the wind blows over the plains, so are you to me.’

Iron & Wine – Such Great Heights

‘I am thinking it’s a sign that the freckles in our eyes are mirror images, and when we kiss they are perfectly alligned.’