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Covered with Soul Vol. 6

March 31st, 2011 6 comments

In the 6th volume of soul covers, we have the great Grady Tate’s interpretation of the Theme of M*A*S*H and versions of songs previously recorded by Gil Scott-Heron, Bob Dylan, Big Brother & the Holding Company, Elvis Presley, James Taylor, Righteous Brothers, Tammy Wynette, Willie Nelson, Kris Kristofferson, Joe South, Rolling Stones, Credence Clearwater Revival, James Brown, Cream, Peggy Lee, The Beatles, The Flamingos, Julie Andrews, Nat ‘King’ Cole, Billy Joel and Cat Stevens. Quite a mixed bag. This mix features a fair number of country songs remade as soul songs, showing how close the two genres are.

Some of the songs here get a thorough reworking here. Cat Stevens would not recognise his hippie-friendly Moonshadow in Labelle’s astonishing funky improv version. The Rotary Connection, featuring Minnie Riperton, take some liberties with Bob Dylan’s Like A Rollin’ Stone.

We have encountered some of the featured artists before. Among those we haven’t is Una Valli, South Africa’s queen of soul. Una certainly had a mighty voice and bagsful of soul. The irony, given her country of origin, is that Valli (who still performs) is white. I wrote about her recently on Star Maker Machine, in relation to her version of Yesterday (here).

Madeline Bell featured on Covered With Soul Vol 3. Her long career included stints in Blue Mink (of Melting Pot fame) and French disco group Space, and an appearance as backing singer at the Eurovision Song Contest. Well, a girl’s gotta work. And she still works, touring as a jazz singer from her domicile in Spain.

Alas, Marie ‘Queenie’ Lyons did not enjoy such a productive career. Her outstanding Soul Fever album, whence this version of Fever came, was her only LP. Until its re-release on CD in 2008, it was one of the great rare soul albums. Nobody, it seems, knows anything about whatever happened to Marie Lyons.

Likewise, Bill Brandon never had the great career he might have had. We’ve previously encountered Brandon in the second instalment of the Murder Songs series. He also recorded only one full album, released in 1977. Ten years later he quit the music business for good and became a truck driver. He now apparently runs a nightclub.

Another act with a solitary album were the Blossoms (who featured in Vol. 5), yet they had a rich history as a backing act, singing vocals behind the likes of Elvis Presley, Tom Jones, Jan & Dean and Paul Anka. Formed in the 1950s, among their original members was Gloria Jones (original singer of Tainted Love and the woman who survived the car crash that killed Marc Bolan) and Merry Clayton. Darlene Love joined the band in the late 1950s, and she appears on the 1972 album, alongside Jean King and founder member Fanita James.

Junior Parker featured before (in Vol. 4) with his cover of The Beatles’ Tomorrow Never Knows. Here he reappears with another Beatles track (and I have another one waiting). Parker was not really a soul singer but a bluesman, having started his career as a teenager in the 1940s backing Sonny Boy Williamson and Howlin’ Wolf, and then playing in a Memphis band with B.B. King and Bobby ‘Blue’ Bland (the latter, of course, also crossed over to soul at times). Parker’s trio of Beatles covers was his last: Parker died of a brain tumor on 18 November 1971 at just 39.

TRAKLISTING:
1. Grady Tate – Suicide Is Painless (Theme From M*A*S*H) (1974)
2. Brother To Brother – In The Bottle (1974)
3. Rotary Connection – Like A Rolling Stone (1967)
4. Bill Brandon – (Take Another Little) Piece Of My Heart (1972)
5. Dee Dee Warwick – Suspicious Minds (1971)
6. Blossoms – Fire And Rain (1972)
7. Al Green – Unchained Melody (1973)
8. Candi Staton – Stand By Your Man (1971)
9. Little Esther Phillips – Hello Walls (1964)
10. Joe Simon – Help Me Make It Through The Night (1973)
11. Lee Dorsey – Games People Play (1970)
12. Una Valli – Satisfaction (1968)
13. Billy Paul – Proud Mary (1970)
14. Stevie Wonder – Please, Please, Please (1967)
15. Brothers Unlimited – Spoonful (1970)
16. Marie ‘Queenie’ Lyons – Fever (1970)
17. Junior Parker – Lady Madonna (1971)
18. David Porter – I Only Have Eyes For You (1970)
19. Madeline Bell – Climb Ev’ry Mountain (1968)
20. Gene Chandler – Unforgettable (1970)
21. Margie Joseph – He’s Got A Way (1974)
22. Labelle – Moonshadow (1972)

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Covered With Soul Vol. 2

April 30th, 2010 10 comments

The first mix of soul covers was very popular (and great fun to compile), so I hope that subsequent compilations will also find an audience.I think I have at least two more in the works.

There are a few surprising covers in this mix. Maxayn reshape the Rolling Stones song entirely, while the wonderful Zulema Cusseaux, a gifted songwriter in her own right, perhaps even tops my favourite solo McCartney track. And could there be soul versions of Wild Thing? Jagger’s ex-squeeze Marsha Hunt gave it a shot.
Scanning the tracklisting, there are some wonderful strong women who have been much neglected among the 20 featured acts. We previously encountered the unjustly forgotten Barbara Jean English with the utterly astonishing So Many Ways To Die on Any Major Soul 1972-73; here she improves on one of Bread’s better songs. Tami Lynn never had much of a big audience; her cover of Smiley Lewis’ One Night Of Sin (featured here as the original of Elvis’ One Night) shows why that was a great shame. Unlike those two, Denise LaSalle has had a notable career, even if she is often remembered for the horrible 1985 novelty hit My Toot-Toot. Here LaSalle is allowed to break a rule: being featured with a song already covered on the first mix.

The idea with these compilation is to take songs that are better known in versions outside the soul genre, but there must be exceptions. The test is in how much the covering artist appropriates the song. The amazing Marlena Shaw does that with the Main Ingredient’s Don’t Want To Be Lonely, and The Temptations give I Heard It Through The Grapevine their spin (like the two better-known versions by Gladys Knight and Marvin Gaye, it was produced by Norman Whitfield).

As always, the mix is timed to fit on a standard CD-R , and a front and back cover is included. Several of the songs included here are, to my knowledge, out of print. Be sure to buy the albums that include the songs that you like in particular — if you like the album fillers, you’ll surely like the rest of the album.

TRACKLISTING
1. Al Green – I Want To Hold Your Hand (1969)
2. Maxayn – You Can’t Always Get What You Want (1972)
3. Zulema – Maybe I’m Amazed (1972)
4. Donnie Hathaway - He Ain’t Heavy, He’s My Brother (1971)
5. The Smith Connection – Rainy Days And Mondays (1972)
6. Isaac Hayes – I’ll Never Fall In Love Again (1971)
7. Candi Staton – In The Ghetto (1972)
8. Thelma Houston – Don’t Make Me Over (1981)
9. Marlena Shaw – Just Don’t Want To Be Lonely (1973)
10. Barbara Jean English – Baby I’m A-Want You (1972)
11. Solomon Burke – He’ll Have To Go (1964)
12. Denise LaSalle – Harper Valley P.T.A. (1973)
13. Tami Lynn – One Night Of Sin (1972)
14. The Temptations – I Heard It Through The Grapevine (1969)
15. The Intruders - Mother And Child Reunion (1973)
16. Family Brown – When I Need You (1977)
17. Billy Paul – Your Song (1972)
18. Joe Simon – Help Me Make It Through The Night (1973)
19. The Dells – A Whiter Shade Of Pale (1969)
20. Marsha Hunt – Wild Thing (1971)

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Any Major Soul 1972-73

August 25th, 2009 4 comments

Any Major Soul 1972-73 - front

I was delighted to see a comment from Jerry Plunk, lead singer and drummer of the Flying Embers, thanking me for including the group’s Westbound #9 in the Any Major Soul 1970/71 mix (and a comment from Jerry Lawson from the Persuasions, appreciating the inclusion of his group’s version of He Ain’t Heavy/You’ve Got A Friend in The Originals Vol. 30). I hope that this series of ’70s soul mixes will create some interest in acts and songs that are not as widely remembered as they ought to be. So this compilation excludes the most obvious picks for the years 1972/73, and includes what I hope are a few great new discoveries, or indeed re-discoveries. As before, it was a struggle to keep the mix down to the standard CD-R length. Read more…