I’ve said it before: no other series on this blog is as much fun to put together than the Covered With Soul compilations. And I’ve yet a few mixes in store.

There are have been a couple of pretty radical reworkings of songs; Maxine Weldon’s interpretation of George Gershwin’s  I’ll Build A Stairway To Paradise (best known, perhaps, as Georges Guetary’s showstopper in the An American In Paris musical) is one of them.

On the other hand, if the version of Spirit In The Sky by The Stovall Sisters has echoes of the original, then it is because the soul-gospel group provided the backing vocals to Norman Greenbaum’s record.

Donnie Elbert had been around for a long time before he covered Michael Jackson’s “We’ve Got A Good Thing Going” — in fact, he had been recording longer than Michael had been alive, having his first R&B hit in 1957. Talking of covers, in the early 1970s he recorded an album of Otis Redding covers, as well as a few old Motown hits. He died in 1989 at 52.

If you might not know James Gilstrap’s name, and you might never heard any of his records before (though he had a #4 UK hit in 1975 with Swing Your Daddy), but you might well recognise the voice: he is the male voice that duets with Lani Groves at the start of Stevie Wonder’s You Are The Sunshine Of My Life. Or as one of the voices on the theme for the TV show Good Times. He has been prolific as a backing singer for acts as diverse as Quincy Jones, Elton John, Anita Baker, England Dan and John Ford Coley, Boz Scaggs (including on Lowdown), Joe Cocker, Sarah Vaughan, and Kelis.

Like Nancy Wilson, Salena Jones is better known as a jazz artist (her first name is a combination of the first names of Sarah Vaughan and Lena Horne) who had a soul audience.

TRACKLISTING
1. Barbara Acklin – To Sir, With Love (1968)
2. Al Green – I’m So Lonesome I Could Cry (1973)
3. James Brown – Your Cheatin’ Heart (1969)
4. Maxayn – Gimme Shelter (1972)
5. Sunday’s Child – Maybe I’m Amazed (1970)
6. Hearts Of Stone – You’ve Made Me So Very Happy (1970)
7. Sly & the Family Stone – Que Sera Sera (1973)
8. Rotary Connection – Lady Jane (1967)
9. Erma Franklin – Son Of A Preacher Man (1968)
10. Sharon Cash – Change Gonna Come (1970)
11. Melba Moore – He Ain’t Heavy He’s My Brother (1971)
12. Esther Phillips – Into The Mystic (1977)
13. Salena Jones – Everbody’s Talkin’ (1970)
14. Thelma Jones – Angel Of The Morning (1978)
15. James Gilstrap – Hello, It’s Me (1976)
16. Donnie Elbert – We’ve Got A Good Thing Going (1974)
17. The Isley Brothers – Put A Little Love In Your Heart (1972)
18. The Stovall Sisters – Spirit In The Sky (1971)
19. Maxine Weldon – I’ll Build A Stairway To Paradise (1975)
20. Loleatta Holloway – (I Love You) For Sentimental Reasons (1971)
21. The Sweet Inspirations – To Love Somebody (1968)
22. Nancy Wilson – Make It With You (1971)
23. The Persuasions – Since I Fell For You (1970)

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There is tragedy in a life wasted, and sorrow in a talent not entirely fulfilled. I have both of Winehouse’s albums. They are good, but I couldn’t share in the excess of excitement that surrounded the Winehouse phenomenon. To be sure, she was a smart lyricist; a worthy successor of Marlena Shaw. Even her music was agreeable, in the way of a good pastiche. I don’t doubt that she had an affection for old soul music, and she treated the genre with great respect. But — and here’s the rub for me — why go for the copy if there is still so much of the source material to explore?

There is an argument  that Winehouse’s retro offerings encouraged her listeners to explore the canon of old soul music. I don’t buy that. Winehouse’s success encouraged the proliferation of mediocre mono-named songstresses who say they are inspired by the soul music of the 1960s (and, usually, “all the old blues guys”, who then go unnamed).

So, to help the proponents of the former argument, here is a mix of songs which I might have named “If You Like Amy Winehouse, You’ll Like This”. I’ll call it, without any efforts to engage my imagination (for shortly I have a dessert to prepare for dinner), Any Major Soul Women. I imagine that Amy Winehouse would have been inspired by many of these singers; maybe she even based her sound on some of them. I can imagine her singing most of these songs.

As always, the mix is times to fit on a CD-R. Due to shortage of time, alas, no covers.

TRACKLISTING:
1. Anna King – Sittin’ In The Dark (1964)
2. Baby Washington – You Are What You Are (1966)
3. Betty Everett – Until You Were Gone (1964)
4. Rhetta Hughes – Cry Myself To Sleep (1969)
5. Irma Thomas – She’ll Never Be Your Wife (1973)
6. Laura Lee – Mama’s Got A Good Thing (1972)
7. Ila Vann – Got To Get To Jim Johnson (1967)
8. Erma Franklin – You’ve Been Cancelled (1969)
9. Fontella Bass – I Surrender (1966)
10. Marlena Shaw – Go Away, Little Boy (1969)
11. Mitty Collier – Little Miss Loneliness (1963)
12. Tami Lynn – I’m Gonna Run Away From You (1972)
13. Candi Staton – I’ll Drop Everything And Come Running (1972)
14. Jean Knight – Pick Up The Pieces (1970)
15. Sandra Wright – Wounded Woman (1974)
16. Esther Phillips – I Don’t Want To Do Wrong (1972)
17. Margie Joseph – Sweeter Tomorrow (1971)
18. Lyn Collins – Take Me Just As I Am (1973)
19. Marie ‘Queenie’ Lyons – Your Thing Ain’t No Good Without My Thing (1970)
20. Linda Jones – Don’t Go (I Can’t Bear To Be Alone) (1972)
21. Barbara Mason – I Miss You Gordon (1973)
22. Rosetta Hightower – I Don’t Blame You At All (1971)
23. Tammi Terrell – That’s What Boys Are Made For (1968)
24. Brenda Holloway – I’ll Always Love You (1964)
25. Dee Dee Warwick – We’re Doing Fine (1965)
26. Jean Wells – Have A Little Mercy (1968)
27. Lorraine Ellison – Try (1969)
28. Ruby Andrews – Overdose Of Love (1972)

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1960s Soul
1970s Soul
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The story goes that Jim Morrison hated Light My Fire, The Doors’ great breakthrough hit. Recorded in August 1966, it was released in January 1967, at the dawn of the so-called Summer of Love. If it was true that Morrison disliked it, I’d sort of concur with his judgment. In fact, he didn’t hate the song, but resented that he had only a small part in writing his band’s signature hit (most of it was written by guitarist Robby Krieger).

I don’t like The Doors much, and have more respect than affection for their version of Light My Fire. No, let me rephrase it. I dislike Jim Morrison and hate his mannered vocals on the song (as opposed to Ray Manzarek’s magnificent keyboard line). It is a great song that has been covered hundreds of times, usually to good effect. It is the mark of a fine song when it is difficult to fuck it up. And when a song is interpreted in so many different ways as Light My Fire is here, it incontrovertibly is a truly great song. I predict that the reader who will listen to all versions offered here in one go won’t get bored with it.

Of the 38 versions collated here, only one is gratingly bad: that by Train, which appeared, of all things, on a Doors tribute album (I have refrained from throwing Will Young’s chart-topping karaoke effort into the mix). I include Train’s version for the sake of curiosity, but the most curious interpretation here is that of Mae West, by then 79 years old. Clearly aiming for the gerontophile market, Mae purrs and pouts and outsexes Jim Morrision himself. The backing track, apparently by an outfit called The Hot Rockers, is quite good. I know nothing more about them, alas.

Some versions here take The Doors’ original as their template; more follow the path created by José Felicianio’s superior cover. The best of these, Minnie Riperton’s posthumously released take, sees Feliciano guesting (he turns up again later on a DVD rip of a Ricky Martin concert, when the somg morphs into Santana’s Oye Como Va)

Feliciano provided the blueprint for the pop and jazz vocalists, with Julie London’s flutey take and Shirley Bassey’s interpretation (which sounds much like a Bond theme) especially good. An early adopter was soul/jazz singer Spanky Wilson. I suspect that her version was as influential as Feliciano’s in attracting the many soul covers. Jackie Wilson, Clarence Carter, Rhetta Hughes (inspiring), Watts 103rd Street Rhythm Band (surprisingly understated), Erma Franklin, Stevie Wonder (gloriously overproduced) and the Four Tops (“sizzle, sizzle, sizzle me, baby”) all recorded their covers in 1969; Al Green and Isaac Hayes did so in 1971 and ’73. A few years later Carol Douglas and Amii Stewart issued disco versions. So did Baccara, whom I hold close to my heart, but not for their horrible 1978 version which I decline to inflict upon the kind reader.

Light My Fire has lent itself to instrumental coverage. Some of it is quite excellent (Young Holt Unlimited; Booker T. and the MG’s slower interpretation; Ananda Shankar’s Indian take), some veer into easy listening territory (Edmundo Ros’ cha cha cha flavoured version; Helmut Zacharias’ bizarre violin-dominated James Last-goes-psychedelic job). The Ebony Rhythm Band in 2004 recorded a quite splendid psychedelic retro soul version. And then there is English violinist Nigel Kennedy giving it a classical twist, with the arranging help of former Killing Joke frontman Jaz Coleman.

Bringing the threads of these different versions together is Mike Flower Pops, the outfit that specialised in recreating the sounds of the 1960s, having been invented for that purpose by restyling Oasis’ Wonderwall, scratchy vinyl and all, as a gag on allegations of the Mancunians’ alleged plagiariasm.

It is fitting, I think, that the mix should end with two recent songs from the Latin genre – Tahta Menezes’ bossa nova take and Uruguayan singer/actress Natalia Oreiro’s moody rendition – signalling that Light My Fire is indeed Feliciano’s song. Can you spot whose version is missing?

The first Song Swarm covered By The Time I Get To Phoenix. Interestingly, five of the 23 performers on that mix return here: Erma Franklin, the Four Tops, Johnny Mathis, Isaac Hayes and, of course, José Feliciano.

TRACKLISTING
1. José Feliciano – Light My Fire
2. Spanky Wilson – Light My Fire
3. Johnny Mathis – Light My Fire
4. BJ Thomas – Light My Fire
5. Julie Driscoll, Brian Auger & The Trinity – Light My Fire
6. Julie London – Light My Fire
7. Jackie Wilson – Light My Fire
8. Clarence Carter – Light My Fire
9. Rhetta Hughes – Light My Fire
10. The Watts 103rd Street Rhythm Band – Light My Fire
11. Erma Franklin – Light My Fire
12. Booker T. and the MG’s – Light My Fire
13. Young Holt Unlimited – Light My Fire
14. Nancy Sinatra – Light My Fire
15. Astrud Gilberto – Light My Fire
16. Stevie Wonder – Light My Fire
17. The Four Tops – Light My Fire
18. Edmundo Ros – Light My Fire
19. Ananda Shankar – Light My Fire
20. Shirley Bassey – Light My Fire
21. Larry Page Orchestra – Light My Fire
22. Al Green - Light My Fire
23. Free Design – Light My Fire
24. Helmut Zacharias – Light My Fire
25. Mae West – Light My Fire
26. Isaac Hayes – Light My Fire
27. Carol Douglas – Light My Fire
28. Amii Stewart – Light My Fire
29. Minnie Riperton feat José Feliciano – Light My Fire
30. Massive Attack – Light My Fire
31. Mike Flowers Pops – Light My Fire
32. Ricky Martin with José Feliciano & Carlos Santana – Light My Fire/Oye Como Va
33. Nigel Kennedy & Jaz Coleman – Light My Fire
34. Train - Light My Fire
35. Cibo Matto – Light My Fire
36. Ebony Rhythm Band – Light My Fire
37. Tahta Menezes - Light My Fire
38. Natalia Oreiro – Light My Fire

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Generally I’m wary of cover versions, especially if the song being covered is already well known in its original form or is otherwise identified with a particular artist. There is not much you can do to improve on, say, Bridge Over Troubled Water other than to strip the song down and rework it completely. Not many artists have succeeded in doing so. But for an example of how a well-known song can be totally reworked, one might look to Otis Redding’s version of Try A Little Tenderness (originally recorded by Bing Crosby). Or listen to what Donny Hathaway does with the standard Misty on this mix.

The songs covered by soul artists come almost exclusively from a non-soul tradition. Some are standards (Don’t Fence Me In, Misty, Nature Boy), some country (King Of The Road, Harper Valley P.T.A.), some were pop or rock hits. Only two songs here were originally soul numbers, though For Once In My Life had traversed genres before Gladys Knight & the Pips released their take in 1973 (see HERE). The other, originally by Smokey Robinson & the Miracles, is redone here by Chic man Bernie Edwards in a rather nice poppy way. Merry Clayton (whom we last encountered HERE) may be covering a Rolling Stones song, but it is she who sang on the Stones in the first place, so it’s really half a cover.

I’d be interested to know which covers worked for the listener, and which fell flat. As always, the mix is timed to fit on a standard CD-R , and a front and back cover is included.

TRACKLISTING
1. The Isley Brothers – Listen To The Music (1973)
2. Merry Clayton – Gimme Shelter (1970)
3. Erma Franklin – Light My Fire (1969)
4. Stevie Wonder - Bang Bang (1966)
5. Jackie Wilson – Eleanor Rigby 1969)
6. The Dells - Wichita Lineman/By The Time I Get To Phoenix (1969)
7. Isaac Hayes - It’s Too Late (1973)
8. The Delfonics – Alfie (1968)
9. Donny Hathaway – Misty (1970)
10. Grady Tate - Don’t Fence Me In (1974)
11. Joe Tex – King Of The Road (1965)
12. Vivian Reed – Harper Valley P.T.A. (1970)
13. Flaming Ember – Spinning Wheel (1971)
14. The Supremes & The Temptation - Got To Get You Into My Life (1968)
15. George Benson - Nature Boy (1977)
16. Bernard Edwards feat. Jocelyn Brown – You’ve Really Got A Hold On Me (1983)
17. Charles Brimmer – We’ve Only Just Begun (1976)
18. Gladys Knight & The Pips – For Once In My Life (1973)
19. Roberta Flack – Hey, That’s No Way To Say Goodbye (1969)
20. Billy Paul - Mrs. Robinson (1970)
21. Voices Of East Harlem - For What It’s Worth (1970)

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