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Goodbye Yellow Brick Road Recovered

May 16th, 2019 10 comments

As I have already done with albums by Bruce Springsteen, Carole King, David Bowie and many Beatles albums, here’s another track-by-track covers mix. Except there are some songs on Goodbye Yellow Brick Road for which no covers seem to exist, so I have filled gaps with three live performances by Elton John himself, from his Hammersmith Odeon concert on 22 December 1973. One song had to be omitted altogether, for lack of any alternative versions.

In 1973 there was no indication that one day Elton John would become one of the leading Friends of Dorothy, but he unintentionally hinted at the yet-to-be-invented codeword with the metaphors in the title and on the cover of his double album.

The album’s title, also the name of the lead single, seems to be at odds the artwork on the cover. Both, song and cover, take their imagery from The Wizard Of Oz, in which the yellow brick road played as much a central role as any thoroughfare ever did in the movies. Where the song tells of disillusion at the end of that bright road, the cover promises the beginning of an escape from reality as Elton – spangly mauve platforms instead of ruby slippers – steps into a poster and on to a yellow brick road.

The poster is on a tatty wall, covering a previous poster (the font of which suggests that it might have advertised a music hall), with chimneys in the background telling of a drab existence, quite at odds with Elton’s flamboyant get-up.

The cover was drawn by the illustrator Ian Beck, who was 26 at the time. Beck has since illustrated magazines, greeting cards, packaging and a few children’s books. He has also written a few novels.

Beck came to LP cover design through John Kosh, whose credits included the Abbey Road cover. They shared a studio at 6 Garrick Street in London’s Covent Garden when Kosh arranged for Beck to do illustrations for an LP cover he was designing for Irish folk singer Jonathan Kelly, Wait Till They Change The Backdrop.

Elton John bought that album on strength of the cover, and wanted the same graphic for his new album. Beck told him that this was not possible but offered to create new artwork for the cover.

He was given tapes of the songs (which included future classics like Benny And The Jets, Saturday Night Is Alright For Fighting, Candle In The Wind and the title track), and typed lyrics sheets, and began working on a concept. His friend, fashion illustrator Leslie McKinley Howell, stood in as a model for Elton John in polaroids which Beck took (hence the long legs) in preparation for his watercolour, pastel, and coloured crayon pencils artwork. The piano on the front cover and the teddy bear at the back were placed there at the request of Elsie, as Beck only later realised Elton was known to his staff.

It was the last LP cover Ian Beck designed, though this had nothing to do with his experience of creating the iconic sleeve for one of the great double albums in a decade of many double albums.

The album is regarded by many as Elton John’s finest work. It is indeed filled with many great songs, too many to be released on single, and too many to find inclusion on retrospectives. Songs like Sweet Painted Lady (a song Paul McCartney might have written), I’ve Seen That Movie Too, This Song Has No Title, Roy Rogers and Harmony could have been hits (and Harmony was intended to be the album’s fourth single release); now they are remembered only by fans of the album.

1. Dream Theater – Funeral For A Friend/Love Lies Bleeding (1995)
2. Sandy Denny – Candle In The Wind (1977)
3. Paul Young – Bennie And The Jets (2006)
4. Sara Bareilles – Goodbye Yellow Brick Road (2013)
5. Elton John – This Song Has No Title (Live) (1973)
6. The Band Perry – Grey Seal (2014)
7. Judge Dread – Jamaica Jerk-off (1977)
8. Elton John – I’ve Seen That Movie Too (Live) (1973)
9. Bridget St. John – Sweet Painted Lady (1974)
10. Elton John – The Ballad of Danny Bailey (1909-1934) (Live) (1973)
11. Emeli Sandé – All The Girls Love Alice (2014)
12. Imelda May – Your Sister Can’t Twist (But She Can Rock’n’ Roll) (2014)
13. The Who – Saturday Night’s Alright (For Fighting) (1991)
14. Kacey Musgraves – Roy Rogers (2018)
15. Jesse Malin – Harmony (2008)
Bonus: Diana Ross – Harmony (1976)
Hickoids – Bennie & The Jets (2011)

GET IT: https://rapidgator.net/file/752cea73c43320aecbaec1bf8e769037/GYBR_Rec.rar.html

Previous great covers
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Categories: Album cover art, Covers Mixes, Mix CD-Rs Tags:

Any Major Churches

April 18th, 2019 2 comments

I had no plans to post anything special for Easter, since the Saved! series had run its course. But the fire in the Notre-Dame Cathedral in Paris, a place I’ve visited several times, moved me to make a mix of songs about churches. It is not a Saved! mix because the songs here don’t necessarily speak of religious faith. In some songs, such as California Dreaming or For Emily, the churches are just incidental in the narrative.

What has emerged is a remarkably eclectic mix which covers all sorts of things, from French chanson to hip hop, from funk to country, from blues to indie rock. Any Major Dude With Half A Heart is a broad church.

The mix kicks off with a song about Notre-Dame, and the Paris theme returns later with Tift Merrit’s song which references the church of St Sulpice, which also caught fire, though less destructive, this year.

The story of the Johnny Cash song is quite extraordinary: it was written by one of the inmate at Folsom Prison about the jail chapel, “a house of worship in this den of sin”. Apparently the inmate who wrote it, 32-year-old Glen Sherley, sat in the front-row at the Folsom Prison concert, not knowing that Cash would perform his song. Sherley, who was serving time for armed robbery, never caught the curve, despite Cash’s attempts at helping him. In 1978 he died of suicide.

As always, the ix is time to fit on a standard CD-R and includes home-hallelujahed covers. PW in comments.

For those who believe, I wish you a Happy Easter. For those who don’t, Happy Feast of the Easter Bunny.

1. Edith Piaf – Notre-Dame de Paris (1952)
2. Ann Cole – In The Chapel (1956)
3. Johnny Rivers – Mountain Of Love (1964)
4. Honey Cone – Sunday Morning People (1971)
5. Box Tops – I Met Her In Church (1967)
6. Lyle Lovett – Church (1992)
7. Drive-By Truckers – Late For Church (1998)
8. Tift Merritt – Tender Branch (2008)
9. Eels – In The Yard, Behind The Church (2005)
10. Ben Harper and The Five Blind Boys of Alabama – Church House Steps (2004)
11. Outkast – Church (2003)
12. James Brown – Bodyheat (1976)
13. Lee Moses – California Dreaming (1971)
14. David Egan – Bourbon In My Cup (2008)
15. Robert Patterson Singers – Crying In The Chapel (1967)
16. Simon & Garfunkel – For Emily, Whenever I May Find Her (1970)
17. Johnny Cash – Greystone Chapel (1969)
18. Porter Wagoner – I’ll Meet You In Church Sunday Morning (1964)
19. Ella Fitzgerald – The Church In The Wildwood (1967)
20. Frank Sinatra – Winchester Cathedral (1966)
21. The Willows – Church Bells Are Ringing (1956)
22. John Lee Hooker – Church Bell Tone (1959)

GET IT: https://rapidgator.net/file/8a5989d25f5b7f826a7c732182a0fb75/church.rar.html

Previous SAVED! mixes
Saved! Vol. 1 (Elvis Presley, Carter Family, LaVern Baker, Marvin Gaye…)
Saved! Vol. 2: Soul edition (Curtis Mayfield, The Supremes, The Trammps,  Jerry Butler…)
Saved! Vol. 3 (Prefab Sprout,  Wilco, Nick Cave And The Bad Seeds…)
Saved! Vol. 4 (Sam Cooke, Dixie Hummingbirds, Dinah Washington, Jerry Lee Lewis…)
Saved! Vol. 5 (Donny Hathaway, Holmes Brothers,  Steve Earle, The Bar-Kays…)
Saved! Vol. 6: Angels edition (Jimi Hendrix, Aretha Franklin, Rilo Kiley, Kris Kristofferson…)
Saved! Vol. 7: Soul edition (Earth, Wind & Fire, Billy Preston, Marlena Shaw, Al Green….)
Best of Saved!

Categories: God Grooves, Mix CD-Rs Tags:

The Originals: Schlager edition

March 21st, 2019 6 comments

 

At first glance, this edition of The Originals seems narrowly aimed at Germans, but it should appeal to all fans of European and 1970s pop music.

The German Schlager has a reputation for being banal rubbish, and it’s not entirely unmerited. But the genre generated some legit entertainment and even moments of good quality. Often, those moments were the result of the Schlagermachine finding foreign songs and reproducing them for the German market. Sometimes what emerged was superior to the originals, as it was in the case of Danyel Gérard’s 1971 mammoth-hit Butterfly.

That song doesn’t feature here; only one track on this collection is the first version of a German hit sung by its original artist: Belgian singer Salvatore Adamo’s Petit Bonheur, which in German became Ein kleines Glück. The German version disproves the point I just made about teutonic production superiority. It’s a fairly strange bit of music in any version.

 

Before Giorgio Moroder became a pioneering trailblazer in Euro-disco and electronic music, he was a pop singer and Schlager producer. The Italian-born half-German came to Berlin in 1963. In 1969 he had a million-seller as Giorgio with Looky Looky, which topped the French charts. The following year he released Arizona Man, a Moog-driven, temp-changing pop number. His version went nowhere, but a German cover released shortly after gave Mary Roos her first hit.

Arguably the Schlager singer with the best strike-rate in choosing covers was Israeli-born Daliah Lavi. Four of her biggest hits were cover versions: three feature here; two were written by the same man: John Kongos. The South African singer went on to have two UK Top 10 hits (Tokoloshe Man and He’s Going To Step On You Again; both later covered by the Happy Mondays), but in 1970 his Would You Follow Me was translated into German and became a big hit for Lavi as Willst Du mit mir geh’n. The following year, the song was also covered by Olivia Newton-John.

 

Also in 1970, Kongos’ Won’t You Join Me was covered by the improbably-named Emil Dean Zoghby, who was a bit of a star in South Africa in the 1960s. Zoghby, who died in 2014 at 72, went on to be a stage actor in London and, back in South Africa, a record producer. Lavi’s cover, titled Wann kommst Du, was released in 1971.

The third original of a Lavi song is fairly well-known: Rod McKuen’s catchy 1971 anti-war anthem Soldiers Who Want To Be Heroes, which enjoyed some success in Europe, especially in the Netherlands. In Lavi’s hands, the peace song became a love song with the title Meine Art Liebe zu zeigen, which translates as My Way Of Showing Love.

 

Another astute selector of cover versions was Michael Holm. Most of these were quite well-known, so this mix of lesser-known originals picks the 1969 French song Fernando by Sheila, a singer whom the world of pop would get to know better as the lead of Sheila B. and The Devotions. Fernando—which was co-written by Danyel Vangarde, who’d later co-write hits such as the Gibson Brothers’ Cuba and Ottawan’s DISCO — became a Spanish hit as Un rayo de sol by Los Diablos, and for Michael Holm in Germany as Wie der Sonnenschein. Holm featured himself on the Christmas Originals for doing the first version of When A Child Is Born, which was itself based on an original instrumental, Le Rose blu by Ciro Dammicco (the song became later known as Soleado). Holm might feature again for doing the original of Chickory Tip’s Son Of My Father, which he co-wrote with Giorgio Moroder.

Perhaps the greatest Schlager singer-songwriter was Udo Jürgens, whose songs always stood a few steps above the standard Schlager fare. Jürgens had few needs for the songs of others, but one of his biggest hits, the cheeky seduction number Es wird Nacht Senorita of 1968, was a cover. Originally the song was recorded in 1965 as Le Rossignol Anglais by the popular French chansonnier Hugues Aufray, and the year after by Mireille Mathieu.

 

As a song travels the continent, its meaning can change. When Portuguese Brazilian singer Benito di Paula wrote and recorded his 1975 song Charlie Brown, a hit in Portugal, it was about the Peanuts character. Travelling eastwards it became a discofied number by Belgian outfit Two Man Sound (whose dance moves must be seen). Retaining the original lyrics, it was a huge hit in Belgium and Italy. But when it came to Germany, the hit version by Benny was no longer about the depressed protagonist of Charles M Schulz’s cartoon but about a promiscuous guy who beds every woman “between Mexico and Paraguay”, even your girlfriend.

One song here might just as well have featured in a 1970s edition of The Originals. A cover of Living Next Door To Alice was a big 1977 hit for Smokie. But it features here on strength of a cover of the Smokie version by South African-born Schlager balladeer Howard Carpendale, as Tür an Tür mit Alice. Originally it was recorded by Australian band New World, who had enjoyed UK Top 10 action with Tom-Tom Turnaround and Sister Jane on RAK Records, the label Smokie would later find success on. Living Next Door To Alice, recorded in 1972, flopped, however. New World’s career was over soon after when their success on the UK Opportunity Knocks talent show in 1970 became (through no fault of theirs) the focus of a results-fixing scandal.

 

Remarkably, only one song here is a German-language original of a German hit. Über sieben Brücken mußt du gehn (which means, You’ll Have To Cross Seven Bridges) was recorded in 1978 by the East-German band Karat as the theme song for a TV film. It became a massive hit in East-Germany and even won the Eastern Bloc’s version of the Eurovision Song Contest. The LP on which the song appeared did good business in West-Germany, but since East-German musicians were forbidden from appearing on western TV, the single went nowhere. When in 1980 the German rock singer Peter Maffay heard Über sieben Brücken mußt du gehn, he asked the band for permission to record it. His faster version became a mega-hit. After reunification, Karat and Maffay re-recorded the song together. It has become something of a German anthem.

As always, the mix is timed to fit on a standard CD-R and includes home-schunkeled covers. PW in comments.

1. Giorgio Moroder – Arizona Man (1970)
The Usurper: Mary Roos (Arizona Man, 1970)

2. John Kongos – Would You Follow Me (1971)
The Usurper: Daliah Lavi (Wann kommst Du?, 1970)

3. Hughes Aufray – Le Rossignol Anglais (1965)
The Usurper: Udo Jürgens (Es wird Nacht, Senorita, 1968)

4. Mickey – El chico de la armónica (1972)
The Usurper: Bernd Clüver (Der Junge mit der Mundharmonika, 1972)

5. Emil Dean Zoghby – Won’t You Join Me (1970)
The Usurper: Daliah Lavi (Willst Du mit mir geh’n, 1971)

6. Martinho Da Vila – Canta Canta, Minha Gente (1974)
The Usurper: Nana Mouskourie (Guten Morgen Sonnenschein, 1977)

7. Michel Delpech – Pour Un Flirt (1971)
The Usurper: Randolph Rose (Nur ein Flirt, 1971)

8. Adamo – Petit bonheur (1969)
The Usurper: Adamo (Ein kleines Glück, 1970)

9. Tom Jones – The Young New Mexican Puppeteer (1972)
The Usurper: Robert Blanco (Der Puppenspieler aus Mexiko, 1972)

10. Sheila – Fernando (1969)
The Usurper: Michael Holm (Wie der Sonnenschein, 1970)

11. Rod McKuen – Soldiers Who Want To Be Heroes (1971)
The Usurper: Daliah Lavi (Meine Art, Liebe zu zeigen, 1973)

12. Karat – Über sieben Brücken mußt du gehn (1978)
The Usurper: Peter Maffay, Über sieben Brücken mußt du gehn, 1980)

13. Benito di Paula – Charlie Brown (1975)
The Usurper: Benny (Amigo Charlie, 1976)

14. New World – Living Next Door To Alice (1972)
The Usurpers: Smokie (1976), Howard Carpendale (Tür an Tür mit Alice)

15. The Bellamy Brothers – Crossfire (1977)
The Usurper: Hoffmann & Hoffmann (Himbeereis zum Frühstück, 1977)

16. Vader Abraham – ‘t Kleine Café Aan De Haven (1975)
The Usurper: Peter Alexander (Die kleine Kneipe, 1976)

17. Jim Lowe – Gambler’s Guitar (1952)
The Usurper: Fred Bertelmann (Der lachende Vagabund, 1957)

18. Domenico Modugno – Piove (Ciao Ciao Bambina) (1959)
The Usurper: Caterina Valente (Tschau Tschau Bambina, 1959)

19. Eydie Gorme – Blame It On The Bossa Nova (1963)
The Usurper: Manuela (Schuld War Nur Der Bossa Nova, 1963)

20. Beniamino Gigli – Mamma (1960)
The Usurper: Heintje (Mama, 1969)

21. Carlos Francisco with Orchestra – La Paloma (1904)
The Usurper: Mireille Mathieu (La Paloma Adieu, 1973)

Bonus Track: Masquerade – Guardian Angel (1983)
The Usurper: Nino de Angelo (Jenseits von Eden, 1983)

GET IT!   (initial PW problems fixed)

Alternative link: https://rapidgator.net/file/53e8cde1c3bcc0101e73c6abd1809b2a/Orig-Schlag.rar.html

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Any Major Babymaking Music Vol. 1

March 14th, 2019 5 comments

The term “baby-making music” describes the sonic complement to the carnal act, and the stages preceding it, which is usually applied to create an ambience which facilitates the arousal of heightened sensuality. The purpose of such music does not necessarily require the objective of procreation, nor indeed the initiation of the carnal act, but its use may not, by definition, preclude these.

The selection of suitable music for that purpose is, by its nature, subjective. However, the following are not universally considered appropriate propositions to qualify inclusion under the genre “baby-making” music: Marilyn Manson’s This Is The New Shit, Aqua’s Barbie Girl, Sgt Barry Sadler’s Ballad of The Green Berets, Billy Ray Cyrus’ Achy Breaky Heart, Lawrence Welk’s Baby Elephant Walk, Rage Against The Machine’s Killing In The Name Of, The Buoys’ Timothy, Michael Jackson’s Ben, Insane Clown Posse’s Miracles, Ray Parker Jr’s Ghostbusters, Toby Keith’s Courtesy Of The Red, White and Blue, the Carpenters’ Sing, Michael F Bolton’s opera album, anything by Creed, the Birdie Song, and others.

Should you find yourself in a situation where a lover cranks up the sounds of any of the above without the display of any discernible irony, then you might be in the company of a serial killer. Don’t wait to find out where the moment might lead you, regardless of what your libido tells you. Run!

If, however, your partner digs out a CD with the home-smooched cover you see above, you have a reasonable expectation of experiencing the best sex ever.

I do not wish to plant uncomfortable mental images in your head (though, since very few of you know what I look like, such mental images may take the form of the tanned and toned Adonis that I am), so I won’t reveal which of these songs I have made figurative babies to. But all of these songs here make me want to make figurative babies.

 

Actually, I’m overegging the point. I think these songs are not so much humping-music (though none preclude that notion either) as they are suited to setting the mood for intense romantic moments, when two people share a deep intimacy. Some songs can express such intimacy, as anybody who has ever made out to, say, The First Time Ever I Saw Your Face will know. Such songs are sexy because they feed that intimacy, that essence of being-in-love that is fundamental to the act of making love.

This is why this mix includes tracks like Isaac Hayes’ version of The Look Of Love (the live version on which he is dealing with love on a more personal basis) or Bob Marley’s Turn Your Lights Down Low, but none of Barry White’s advertising jingles for his baby-making prowess (great though these songs are). But if you need some Barry to get you into the groove, don’t despair: he’s doing his thing on Quincy Jones’ star-studded The Secret Garden, alongside the likes of James Ingram, El DeBarge and Al B. Sure.

An automatic choice would have been Earth, Wind & Fire’s I Write A Song For You, but that featured recently already. But if the stand-by is the glorious live version of Reasons, then the baby-making agenda remains uncompromised. The obvious song-choice by Billy Paul is deferred to the inevitable Volume 2.

Of course, the mix can be cheerfully played outside the setting of intimate relations. It’s just as great to listen to when driving, with no hopes of having sex in sight.

So, what are your baby-making songs?

As ever, this mix is timed to fit on a standard CD-R, and includes home-smooched covers.

1. Al Green – Let’s Stay Together (1972)
2. Isaac Hayes – The Look Of Love (live) (1973)
3. Earth, Wind & Fire – Reasons (live) (1975)
4. Heatwave – Always and Forever (1977)
5. Bob Marley & The Wailers – Turn Your Lights Down Low (1977)
6. Van Morrison – Tupelo Honey (1971)
7. Joan Armatrading – Turn Out the Light (1980)
8. Roberta Flack – The First Time Ever I Saw Your Face (1969)
9. Randy Crawford – Tender Falls The Rain (1980)
10. Gladys Knight & The Pips – Help Me Make It Through The Night (1972)
11. Luther Vandross – If Only For One Night (1985)
12. Curtis Mayfield – Do Be Down (1990)
13. Derek and the Dominos – Bell Bottom Blues (1970)
14. Santana – Europa (1976)
15. Quincy Jones – The Secret Garden (1989)
16. Marvin Gaye – After The Dance (1976)

GET IT!

Alternative link: https://rapidgator.net/file/fe8262336ed6d12834ec17011d03247b/makebabies_1.rar.html

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Any Major Music from ‘The Sopranos’ Vol. 2

February 28th, 2019 2 comments

 

 

This is the second mix of songs featured in The Sopranos, a show that helped pioneer the use of eclectic song selections to help drive the plot, sometimes by featuring as part of the story, or to create an atmosphere in the way of a traditional score, or to narrate the story (the first mix lives here).

The music tells us about the characters. Think of Tony Soprano singing along to classic rock tracks like Smoke On The Water or, featured here, Steely Dan’s Dirty Work when he is driving, much as you or I might. Of course, Tony Soprano is not, I hope, like you or me. And yet, he isn’t all that different from you or me.

Songs narrate the state of mind of characters. As Chris Moltisanti is shooting up at the fair, Fred Neil’s The Dolphins plays: “This old world may never change the way it’s been, and all the ways of war, can’t change it back again…” And when Tony is strung out after having killed Chris, Lucinda Williams follows him with the question Are You Alright?, which M. Ward soon answers: Outta My Head.

The producers mess with us through music. Van Morrison’s cheery and optimistic Glad Tidings plays as Tony Soprano drives to the farm where his cousin Tony B is hiding. Van sends “glad tidings from New York” as Tony-Uncle-Johnny blows off the face of Tony-Uncle-Al. The song makes a return later when Tony runs through the snow to escape the raid on Johnny Sack’s house. Glad tidings indeed.

That surprise. La, la, la, la la, la, la, la, la, la, la, la.

 

As mentioned in the notes for Volume 1, the producers played that contradiction-trick a few times on us. Often acts of uncomfortable violence are accompanied by music that provides a stark contrast. An example of that is the Eagles’ gentle Tequila Sunset scoring the scene in which Tony beats up his old schoolfriend Davey, the gambling-addicted outdoors goods store owner. An added piquance in that choice is that the two men might well have listened to the Eagles together when they were youths.

Some of the tracks clearly were chosen for their own background story. It cannot be a coincidence that the song playing when Tony kills his would-be assassin in the final episode of Season 1, It’s Bad You Know, is sung by a man who served jail time for killing a man, R.L. Burnside.

The same episode closes with Tony and family finding refuge from the rainstorm in Artie Bucco’s new restaurant. Tony tells the family to “enjoy the little moments that were good” — words he repeats in the final scene of the final episode. A guitar begins strumming as the scene fades to the credits. It’s Bruce Springsteen’s 1982 song State Trooper: “License, registration, I ain’t got none. But I got a clear conscience about the things that I done.”

And then there is that final song from that final scene, Journey’s Don’t Stop Believin’, from 1981 (preceded by Little Feat’s All That You Dream). Producer David Chase has said that whatever song was going to play, it would be something Tony would have listened to when he was younger — a time when he still had the chance to take an alternative path in life. The choice of Don’t Stop Believin’ was inspired. Clearly Tony has long stopped believing. The last words we hear (and which, perhaps, Tony hears) are “Don’t stop….” Then it stops.

Tony picks the final number.

 

As always, the mix is timed to fit on a standard CD-R, and includes home-ratted covers. PW in comments

1. Brooklyn Funk Essentials – Bop Hop (1994)
2. R.L. Burnside – It’s Bad You Know (1998)
3. Bruce Springsteen – State Trooper (1982)
4. Fred Neil – The Dolphins (1966)
5. Steely Dan – Dirty Work (1972)
6. Little Feat – All That You Dream (1978)
7. Lynyrd Skynyrd – Simple Man (1973)
8. Eagles – Tequila Sunrise (1973)
9. Lucinda Williams – Are You Alright (2007)
10. Gretchen Wilson – He Ain’t Even Cold Yet (2005)
11. Shawn Colvin – Sunny Came Home (1996)
12. M. Ward – Outta My Head (2003)
13. The Shins – New Slang (2004)
14. Van M – Glad Tidings (1970)
15. Santana – Jingo (1969)
16. Rubén González – Chanchullo (2000)
17. Weezer – Island In The Sun (2001)
18. Creeper Lagoon – Wonderful Love (1998)
19. Journey – Don’t Stop Believin’(1981)

GET IT!

Previous Music from TV shows:
The Sopranos Vol. 1
The Deuce
Freaks & Geeks
The Wonder Years
Soul Train
Any Major TV Theme Songs Vol. 1 (full versions of TV themes)
Any Major TV Theme Songs Vol. 2
Any Major TV Theme Songs Vol. 3
Any Major TV Theme Songs Vol. 4
Any Major TV Themes (as featured in the titles)

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Any Major Blue-Eyed Soul

February 21st, 2019 5 comments

 

 

The term commonly used for white people doing R&B, or music influenced by the genre, is “blue-eyed soul”. I’m not sure I like the term much, because it suggests that only black people are able to produce authentic soul music. This mix shows that this notion is nonsense.

This lot of songs draws from, the period 1964-73, the prime of soul music. For the challenge of it, I’ve even left out some obvious choices, such as the Righteous Brothers, The Four Seasons or Motown’s Chris Clark. And not all of the acts here were strictly or always soul, but they all produced records that nonetheless merit inclusion in the genre. Including the effort by a future country superstar.

 

Linda Lyndell, targetted by racist assholes for singing soul music.

 

One of the artists here had her career destroyed by the Ku Klax Klan. Linda Lyndell was beginning to enjoy some success on Stax records with the original version of the Salt N Pepa hit What A Man when death threats by the KKK, which objected to a white woman singing black music on a black label, persuaded her to go into retirement. She made a comeback much later, and still performs occasionally.

Another white singer, from a country background, once recorded soul music before selling records by the shedload to audiences which included KKK types. Charlie Rich started his career in the late 1950s as a rock & roll singer. In the mid-1960s he branched out into soul, recording with Willie Mitchell at Hi Records, including the original recording of the Sam & Dave classic When Something Is Wrong With My Baby (which went unreleased until 1988). The Silver Fox escaped commercial success as a soul singer and the wrath of racists, and went on to become the self-appointed guardian of pure country.

Another exponent of blue-eyed soul who went country was Roy Head, whose Treat Her Right is something of a blue-eyed soul anthem, having been kept off the US #1 by The Beatles’ Yesterday.

On December 9, 1967, Mitch Ryder played with Otis Redding on a Cleveland TV station (the song was Knock On Wood.) The following day, Otis Redding died in a plane crash. Had Otis lived, he might well have made a star of a white teenage kid with a real soul voice whom he had discovered in Pittsburgh, Johnny Daye. In the event, Daye released just a few singles on Stax before retiring from music in 1968. The featured song is the flip side of his best-known song, What’ll I Do for Satisfaction (which Janet Jackson covered in 1993 as What’ll I Do).

 

Bob Kuban & The In-Men, with the ill-fated lead singer Walter Scott in front.

 

Bob Kuban & The In-Men occupy a place in the Rock & Roll Hall of Fame’s one-hit wonder exhibit for their 1966 #12 hit The Cheater, which features here. The eponymous Bob Kuban was the bandleader and drummer. The singer on The Cheater was Walter Scott. In a cruel twist of irony, Scott was murdered with premeditation in 1983 by his wife’s lover, who had also killed his own wife.  There’s another murder coming up later.

We know Robert John better for his 1979 hit Sad Eyes (which featured on Not Feeling Guilty Vol. 1). He had enjoyed his first chart action as a 12-year-old in 1958 under his birth-name, Bobby Pedrick Jr. His claim to blue-eyed soulness dates to his short-lived time at A&M records, which saw the release of only two singles.

Jimmy Beaumont was the lead singer of the doo wop band The Skyliners — who had hits with their superb Since I Don’t Have You and Pennies Of Heaven — before he tried his hand as a soul singer. Commercial success eluded him, but soul aficionados know to appreciate his vocal stylings. Later life Beaumont returned to The Skyliners, whom he fronted until his death in 2017.

We have a few UK artists doing their soulful thing; Dusty Springfield’s meddling in the genre is well-known, especially her Dusty In Memphis album, whence the featured track comes. Kiki Dee is less celebrated for her soul exploits (and internationally most famous for her 1976 duet with Elton John, Don’t Go Breaking My Heart). Early in her career, Kiki Dee was styled as a Spectoresque girl singer. She also did backing vocals for Dusty Springfield. She was doing well enough as a soul singer to become the first white British artist to be signed by Motown in 1970. Other UK acts featured here are the Spencer Davis Group and Junior Campbell, whom I introduced in the Not Feeling Guilty Vol. 9 post.

 

South African soul singer Una Valli, pictured in 1964.

 

Geographically most remote is South Africa’s Una Valli, who as a white woman singing black music probably did not earn the love of the apartheid regime. Valli performed almost exclusively cover versions of soul and pop songs. In any other world, she might have become a stone-cold soul legend (she previously featured on Covered With Soul Vol. 6 and Vol. 11 and Covered With Soul: Beatles Edition). Stop Thief is one of her more obscure covers, a Carla Thomas b-side written by Isaac Hayes and David Porter.  Half of Valli’s 1968 album Soul Meeting was recorded with the backing of a pop group called The Peanut Butter Conspiracy; the other half (including Stop Thief) with a soul-funk band called The Flames, whose Ricky Fataar and Blondie Chaplin later joined the Beach Boys on three albums.

Two years after the featured song by Bill Deal and the Rhondels was released, saxophonist Freddy Owens joined the group. In 1979 the band was playing in Richmond, Virginia, when Owens was shot dead in the pursuit of a man who had raped his wife. Bill Deal never really got over that and four years later quit the music industry. He died in 2003.

Several of the songs featured here were favourites on England’s Northern Soul scene, in which DJs would compete to find the most obscure 1960s soul records to be played in specialist clubs which were located mostly in northern England. The most famous venue in this sub-culture, which had its own dress codes and dancing styles, was the Wigan Casino. When the venue closed in 1981, Dean Parrish’s I’m On My Way was the last record to be played there. Six years earlier, the popularity of the 1967 tune on the Northern Soul scene had led to its re-release, selling a million copies in the UK — and Parrish earned no money from it.

As always, the mix is timed to fit on a standard CD-R and includes home-irised covers. PW in comments.

1. The O’Kaysions – The Soul Clap (1968)
2. Soul Survivors – Expressway To Your Heart (1967)
3. The Young Rascals – A Girl Like You (1967)
4. Robert John – Raindrops, Love And Sunshine (1970)
5. Bill Deal and the Rhondels – What Kind Of Fool Do You Think I Am (1969)
6. Charlie Rich – Don’t Tear Me Down (1966)
7. Johnny Daye – I Need Somebody (1968)
8. Linda Lyndell – What A Man (1969)
9. Roy Head – Treat Her Right (1965)
10. Sunday Funnies – Whatcha Gonna Do (When The Dance Is Over) (1967)
11. Mitch Ryder & The Detroit Wheels – Sock It To Me Baby (1967)
12. Bob Kuban & The In-Men – The Cheater (1966)
13. Jimmy Beaumont – I Never Loved Her Anyway (1966)
14. Flaming Ember – The Empty Crowded Room (1971)
15. The Box Tops – Turn On A Dream (1967)
16. Kiki Dee – On A Magic Carpet Ride (1968)
17. Laura Nyro – Stoned Soul Picnic (1968)
18. Dusty Springfield – Just A Little Lovin’ (1969)
19. The Illusion – Falling In Love (1969)
20. Una Valli and The Flames – Stop Thief (1968)
21. The Monzas – Instant Love (1964)
22. Len Barry – 1-2-3 (1965)
23. The Grass Roots – Midnight Confessions (1967)
24. Junior Campbell – Sweet Illusion (1973)
25. Dean Parrish – I’m On My Way (1967)
26. The Spencer Davis Group – I’m A Man (1967)
27. Chi Coltrane – Thunder And Lightning (1971)
28. Tommy James & The Shondells – Crystal Blue Persuasion (1969)

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Any Major ABC of Country

February 14th, 2019 1 comment

Having been asked a few times, I’ve re-upped the whole History of Country series, which I put together between 2010 and 2012. The eBook of the series is still up as well; the eBook and series are what I hope is a decent and brief primer for country music. My hope was that the series might attract people to dig a bit deeper into country.

So to announce the re-upping of the series, here’s an ABC of Country. In absence of any country acts starting with X, the playlist is a letter short. The artists were chosen more or less at random, though I was conscious of including at least one black country singer (the superb O.B. McLinton), and to have some very old and some newer material. The oldest song here is by Uncle Dave Macon, who was born in 1870, and was already 57 when the present song was recorded in 1927, only a couple of years after the first country track was put down on shellac.

Get your free copy of the A Brief History of Country Music eBook.

As ever, the mix is timed to fit on a standard CD-R, includes home-yodelled covers. PW in comments.

1. Alison Krauss – When You Say Nothing At All (1995)
2. Bob Wills and his Texas Playboys – Bubbles In My Beer (1947)
3. Carter Family – Broken Hearted Lover (1935)
4. Dolly Parton & Porter Wagoner – The Last Thing On My Mind (1967)
5. Emmylou Harris – Boulder To Birmingham (1975)
6. Flying Burrito Brothers – Farther Along (1970)
7. George Jones – From Here To The Door (1966)
8. Hoyt Axton – Never Been To Spain (1971)
9. Irene Kelly – My Sun And Moon (2004)
10. John Prine – Hello In There (1971)
11. Kris Kristofferson – Darby’s Castle (1970)
12. Lefty Frizzell – Shine, Shave, Shower (It’s Saturday) (1950)
13. Merle Haggard and The Strangers – (My Friends Are Gonna Be) Strangers (1969)
14. Nitty Gritty Dirt Band feat. Merle Travis – Dark As A Dungeon (1972)
15. O.B. McLinton – Obie From Senatobie (1973)
16. Patsy Cline – A Church, A Courtoom, Then Goodbye (1955)
17. Quartette – Lost Between Barren Shores (1994)
18. Rusty Wier – High Road, Low Road (1976)
19. Skeeter Davis – Gonna Get Along Without You Now (1964)
20. Tompall Glaser – When It Goes, It’s Gone Girl (1975)
21. Uncle Dave Macon – Walking In The Sunshine (1927)
22. Vern Gosdin – Chiseled In Stone (1988)
23. Woody Guthrie – This Land Is Your Land (1944)
24. Yonder Mountain String Band – Half Moon Rising (1999)
25. Zac Brown Band – All The Best (2017)

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Any Major ABC: 1950s

January 22nd, 2019 4 comments

 

The ABC of the 1950s might be a random selection of songs, with each artist representing a letter of the alphabet, but there are some interesting tracks here.

Listen to The Orioles’ 1951 song Baby Please Don’t Go, which James Brown surely took more than just a dollop of inspiration from for Please Please Please. That song, better known as the soul classic that had James Brown fall to his knees in exhausted despair, features here in its initial version, which still had to acquire the raw soul of later interpretations.

Singing in 1959 about securing a date with the school’s prettiest girl, during biology class, is Tony Perkins, who a year later would use his formal name as an actor in the Alfred Hitchcock romantic comedy Psycho (I only got as far as just after the girl checks into the hotel run by the slightly geeky but nice young man played by Perkins. I left it when she takes a shower, which I’m sure will lead to screwball comedy stuff. No Spoilers, please).

 

The Hollywood Flames. In front are (left) Bobby Day and Earl Nelson.

 

The lead singer of R&B and doo wop band Hollywood Flames on their hit Buzz-Buzz-Buzz was Earl Nelson, half of the 1960s R&B duo Bob & Earl. And the writer of the song was fellow Hollywood Flame Bobby Day, who went on to be the original Bob in Bob & Earl. By 1962, Nelson recruited a new Bob and had a hit with Harlem Shuffle. By then Byrd had already a hit under his belt with Rockin’ Robin (later covered by Michael Jackson). Byrd also wrote the hits Over and Over by The Dave Clark Five and Little Bitty Pretty One by Thurston Harris. He died in 1990 at 60.

The singer of Real Wild Child, a cover of Australian rock & roller Johnny O’Keefe’s original and precursor of Iggy Pop’s version, is called just Ivan. That was Jerry Ivan Allison, drummer of The Crickets, who is backed here by Buddy Holly on guitar.

Few people on this mix were really likely to score a disco hit two decades after the setting of this ABC. Yet, this is just what R&B singer Dee Clark did in 1975 when he reached #16 in the UK charts with Ride a Wild Horse. Here, in 1959, he still fantasises about the content of high school girls’ sweaters. Clark died in 1990 at only 52.

Fifty-two was also the age at which Amos Milburn died, in 1980. Initially a jazz pianist and singer of those blues and boogie and jump songs that helped pave the way for rock & roll, Milburn’s line was good-natured songs about women and drinking too much which in his day were timeless stuff. His biggest fan was the similarly good-natured Fats Domino, who often cited Milburn as a major influence.

Even younger at the time of her death was Una Mae Carlisle, who was only 40 when she passed on of pneumonia in 1956. A performer since the age of three, the singer-pianist was discovered in the 1930s by Fats Waller. A bandleader in her own right (Lester Young was among her sidemen), Carlisle had as radio show, toured internationally, and wrote many songs, which were covered by the likes of Cab Calloway and Peggy Lee.

 

The Bobettes, whose record company made them turn their contempt for a teacher into a song of inappropriate infatuation.

 

And younger yet was Jannie Pought of the teenage R&B group The Bobettes, who was stabbed to death in a random killing at the age of 34 in 1980. Her group’s Mr Lee is about a schoolgirl’s crush on the eponymous teacher, though their song was initially intended to satirise their teacher, who apparently was indeed a Mr Lee. Atlantic Records ordered that the lyrics be rewritten. The song became a huge hit. The Bobettes continued to record into the early 1980s and performed together even longer. By now four of the five members are dead.

This mix was prepared before the death on December 28 of Christine McGuire of The McGuire Sisters, whose Rhythm ‘n’ Blues (Mama’s Got The Rhythm, Papa’s Got The Blues) is rather more entertaining than their dreary signature tune Sincerely.

As always, the mix is timed to fit on a standard CD-R and includes home-brylcreemed covers. PW same as always.

1. Amos Milburn and his Aladdin Chickenshackers – Bad, Bad Whiskey (1951)
2. Bobettes – Mr. Lee (1957)
3. Connie Francis – No Other One (1956)
4. Dee Clark – Hey Little Girl (In The High School Sweater) (1959)
5. Everly Brothers – Bird Dog (1958)
6. Four Aces – Love Is A Many Splendored Thing (1956)
7. Gene Vincent and his Blue Caps – Be Bop A Lula (1956)
8. Hollywood Flames – Buzz-Buzz-Buzz (1957)
9. Ivan – Real Wild Child (1958)
10. James Brown with The Famous Flames – Please Please Please (1956)
11. Kirby Sisters – Red Velvet (1956)
12. Little Richard – Ooh My Soul (1958)
13. McGuire Sisters – Rhythm ‘n’ Blues (Mama’s Got The Rhythm, Papa’s Got The Blues) (1956)
14. Nutmegs – Story Untold (1955)
15. Orioles – Baby Please Don’t Go (1951)
16. Penguins – Earth Angel (1954)
17. Quin-Tones – Ding Dong (1958)
18. Roy Orbison – Go! Go! Go! (1956)
19. Spaniels – Goodnight Sweetheart (1954)
20. Tony Perkins – Prettiest Girl In School (1959)
21. Una Mae Carlisle – Long (1950)
22. Valentines – The Woo Woo Train (1955)
23. Wrens – Come Back My Love (1955)
24. Xavier Cugat & Abbe Lane – Cuban Mambo (1955)
25. Youngsters – You’re An Angel (With The Devil In Your Eyes) (1956)
26. Ziggy Talent – Please Say Goodnight To The Guy, Irene (1950)

https://rapidgator.net/file/1d8f0e8a229b2b5e24c05b9e78a66003/ABC50s.rar.html

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Any Major Favourites 2018 – Vol. 2

January 10th, 2019 2 comments

 

This is the second compilation of tracks that appeared on mixes posted in 2018, with links to the particular posts — just in case you missed something good. The first mix is here.

As mentioned in the first volume of the 2018 retrospective, the coming year will see quite a few posts on The Originals. There will be two Beatles Recovered mixes, the first of which will run within the next few days. And a whole lot of other fine stuff.

Thank you to all the people who post comments. They are the oxygen for this endeavour.

This year I’m thinking of taking the step of asking readers for some support in covering the costs of hosting this site. I’m still considering the best way of doing that; I just want to cover the costs, rather than receive remuneration for what is really a labour of love, so something like Patreon wouldn’t seem most suitable. Your good ideas in that regard would be very welcome.

But in the meantime, enjoy this mix of great songs, which is timed to fit on as standard CD-R (though this time without covers). PW in comments.

1. The Main Ingredient – Everybody Plays The Fool (1972)
Any Major Soul Train

2. Odyssey – Native New Yorker (1977)
NYC – Any Major Mix Vol. 2

3. The Dells – Oh, What A Night (1969)
Any Major Music from ‘The Sopranos’ Vol. 1

4. Mel Tormé – Blue Moon (1960)
Song Swarm: Blue Moon

5. Elvis Presley – If I Can Dream (1968)
Any Major MLK

6. Johnny Cash – Roll Call (1967)
Any Major Jones Vol. 2

7. The Hollies – Bus Stop (1966)
Any Major ABC: 1960s

8. Mott The Hoople – All The Way From Memphis (1973)
Any Major Music From The Wonder Years

9. Commander Cody – Cry Baby Cry (1978)
Beatles Recovered: White Album

10. Emmylou Harris – Racing In The Streets (1982)
Great Covers: Darkness On The Edge Of Town

11. Bright Eyes – First Day Of My Life (2005)
Stars Pick Your Songs Vol. 3: Celebs

12. Karma – Pachelbel (1998)
Any Major Impossible Love

13. Michael Kiwanuka – Cold Little Heart (2017)
Any Major TV Theme Songs Vol. 4

14. Camelle Hinds – Sausalito Calling (1995)
Any Major Flute Vol. 5

15. Fatima Rayney – Hey (1997)
Any Major Happy Songs Vol. 1

16. Stevie Wonder – Knocks Me Off My Feet (1976)
Any Major Soul 1976 Vol. 2

17. Isaac Hayes – I’ll Never Fall In Love Again (1972)
Covered With Soul Vol. 23

18. Ben E. King – Tonight I’ll Be Staying Here With You (1970)
Any Major Dylan Covers Vol. 5

19. Labi Siffre – It Must Be Love (1971)
Any Major Originals: The 1980s

20. Abba – Waterloo (German version, 1974)
Stars Sing German

https://rapidgator.net/file/671151c8d75c7b9dacb0f97a99f71ed1/fave18_2.rar.html

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Any Major Favourites 2018 – Vol. 1

January 1st, 2019 2 comments

As I have done for the past few years, I am putting up two compilations of tracks from the compilations I posted over the past year, with one song chosen from each mix (except for the Any Major Favourites 2017 mixes, the Christmas selections, the Any Major Disco Vol. 7 mix I posted just before New Year’s, and In Memoriams).

In 2018 I put up a total of 46 mixes, plus the 12 monthly In Memoriams. Among those 46 mixes were the first three in the series of The Originals – lesser-known originals of famous hits, sorted by themes. I plan to post more of these this year. And the supply of these lesser-known originals is endless; my collection numbers more than 800 of them.

As always, the mix is timed to fit on a CD-R length. I’ve not bothered with home-distilled covers for this offering. PW in comments, where you are always welcome to say something.

1. Rodriguez – I Wonder (1970)
Any Major ABC: 1970s

2. The Allman Brothers Band – Blue Sky (1972)
Any Major Guitar Vol. 2

3. Steely Dan – Kid Charlemagne (1976)
The Larry Carlton Collection

4. Jackson Browne – Somebody’s Baby (1982)
Not Feeling Guilty Mix Vol. 9

5. Aretha Franklin – Something He Can Feel (1976)
Aretha Sings Covers

6. Thelma Houston – I Just Gotta Be Me (1969)
The Joe Osborne Collection

7. Darondo – Didn’t I (1972)
Any Major Music from ‘The Deuce’

8. Gil Scott-Heron – New York City (1976)
Any Major New York City Vol. 1

9. Badfinger – Without You (1970)
Any Major Originals: The 1970s

10. John Lennon – Nobody Loves You (When You’re Down And Out) (1974)
Beatles Reunited: Photographs

11. Wilco – Impossible Germany (2007)
Any Major Guitar Vol. 1

12. Andre Williams – Pardon Me (I’ve Got Someone To Kill) (2000)
Any Major Murder Songs Vol. 1

13. Ben Kweller – On Her Own (2009)
Any Major Women Vol. 1

14. Garth Brooks – Friends In Low Places (1990)
Any Major Friends Vol. 1

15. Roy Clark – Thank God And Greyhound (1972)
All The People Who’ve Died 2018

16. Lovin’ Spoonful – Daydream (1966)
Any Major Whistle Vol. 2

17. Jerry Jeff Walker – Mr. Bojangles (1968)
The Originals: The Classics

18. Earth, Wind & Fire – I’ll Write A Song For You (1977)
Any Major Soul 1977

19. Pacific Express – Give A Little Love (1978)
Any Major Soul 1978

20. Vicky Leandros – L’amour Est Bleu (Love Is Blue) (1966)
Any Major Eurovision

https://rapidgator.net/file/704038b815e2729766169220da6a7fa9/fave18_1.rar.html

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