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In Memoriam – December 2016

January 5th, 2017 Leave a comment Go to comments

im1612-gallery-1The tributes have been exhaustive, the Last Christmas references been made. There’s not really much left to say about George Michael. It is now being revealed just how generous and caring a person he was, mostly discreetly. It needn’t be stated that George Michael was a gifted songwriter and arranger. He was also a marvellous vocalist, in tone and phrasing. Seek out his unjustly overlooked 1986 solo single A Different Corner (featured on the All The People Who Died 2016 mix). It has a lovely melody, understated arrangement and very good lyrics. But George’s soulful delivery is the real star here. He was great on ballads: Kissing A Fool and One More Try from the Faith album are other good examples of it.

But the stand-out performance is his version at Live Aid of Elton John’s Don’t Let The Sun Go Down On Me. Forget the 1990s recording (also live); this is the more-or-less spontaneous version, without post-production. It’s perfect; George Michael’s vocal performance is breathtaking, as is fellow Pinner boy Elton’s arrangement. Had Queen bombed at Wembley, then this would be regarded as the singular highpoint of Live Aid. So, yeah, there were quite a few things left to say about George Michael.

With the death of Status Quo rhythm guitarist and co-singer Rick Parfitt the day after George Michael, the first two performers to appear on the Band Aid record have died (and, I think, the first two to have appeared on the London leg of Live Aid). Status Quo were considered a bit of a two-chord band by the purist, but their records were huge fun — especially for the dedicated air guitarists. A friend remarked after Parfitt’s death that it was harsh to expect much variation from a band named Status Quo. But they could also do slow songs, such as the lovely Living On An Island, which featured on A Life In Vinyl 1980. By all accounts, Parfitt was a gregarious party animal with no big star pretensions. But he also knew tragedy, having lost a two-year-old daughter in a drowning accident in 1980. He became a father again, to twins, in 2008, at the age of 60.

As 2016 began, prog-rockers Emerson, Lake & Palmer were still all alive. Now only Carl Palmer is left. Keith Emerson went in March; now Greg Lake died — just as his song I Believe in Father Christmas was going back on seasonal rotation (it featured on Any Major 1970s Christmas), though that selection was made weeks before his death). Before becoming a target of contempt for 1970s punks as a member of ELP, Lake was the singer and bass guitarist for prog-rock pioneers King Crimson. On a tour that also included fellow prog-rockers The Nice on the bill, Lake struck up a friendship with that group’s Keith Emerson. They decided to form a band, roping in drummer Palmer, to create ELP. By 1974, ELP were done due to artistic differences between Emerson and Lake (a contractually obliged 1979 album still followed). His autobiography, Lucky Man, is now due for publication in September 2017; it’s named after a song he wrote at age 12 and recorded by ELP in 1970.

im1612-gallery-2There is a certain symmetry between ELP and the Australian rock band Daddy Cool: both lost members in March — in the case of Daddy Cool, guitarist Ross Hannaford — and in December, with bass player Wayne Duncan, of a stroke. The Melbourne group was the first local act to sell 100,000 LPs in Australia, with their 1970 debut LP Daddy Who?… Daddy Cool. That album included their 1970 hit Eagle Rock, which topped the Australian charts for ten weeks, and featured here earlier this year. In the comments to the March edition of In Memoriam, reader J Loslo noted that there’s an Australian bar tradition to drop one’s trousers and shuffle around with your pants around your ankles if it happens to come on the jukebox. Eagle Rock featured in the tribute for Hannaford; here I’ll go with one of J Loslo’s recommendations.

As a great actress might, Debbie Reynolds made her exit in emphatic style, of a broken heart the day after her daughter Carrie Fisher died. With that, she gave this rotten year a symbolic accent. Reynolds was a gifted talent; in the Good Morning sequence in Singin’ In The Rain, the just 19-year-old held her own against the seasoned hoofers Gene Kelly and Donald O’Connor — after just four months of hyper-intensive training. In music, Reynolds scored her big hits by way of musicals, including the chart-topper Tammy, which was from the 1957 film Tammy and the Bachelor. She also had minor hits in the 1950s with pop covers of country songs. Later she tried her hand at bubblegum pop, being produced by Wes Farrell, who later invented The Partridge Family. Subsequently she had a long-running cabaret stint in Las Vegas. In a month when the Reaper took several stars with connections to Christmas records, it’s suitable that Reynolds’ final recording was an album of festive season numbers, recorded with Singin’ In The Rain co-star O’Connor in the early 1990s.

Saxophonist and trumpeter Herb Hardesty, a World Wart 2 veteran, was really a jazzman, but he played a role in the rise of rock & roll as a tenor saxophonist for Fats Domino, including on crossover hits such as Ain’t That A Shame and Blueberry Hill, and earlier on Lloyd Price’s 1952 proto-rock & roll number Lawdy Miss Clawdy (on which Domino played the piano; the song was based on an earlier Domino track). Hardesty also backed acts such as Smiley Lewis, T-Bone Walker, Big Joe Turner, Little Richard, Lee Dorsey and, later, Dr John. Playing with him on many of these tracks, as part of producer Dave Bartholomew’s backing band, was future Wrecking Crew drummer Earl Palmer, who got Hardesty a session gig with Tom Waits on his 1978 Blue Valentine LP. In 1953, it was Hardesty who prepped a young Ray Charles for his first tour. Hardesty went on to do a lot of live backing on stage with acts like Duke Ellington, Count Basie, Tony Bennett, Ella Fitzgerald, Frank Sinatra and Fats Domino, as well as Waits.

In the 1960s Larry Muhoberac played on several Elvis records, and then he was the keyboardist in Elvis TCB backing band during his early Las Vegas stints. He also played as a session keyboardist on records by the likes of Neil Diamond, Barbra Streisand, Kim Carnes, BW Stevenson, Nancy Wilson, José Feliciano, John Prine, Jessi Colter, Ann Murray, Johnny Cash, Hoyt Axton (on Evangelina, which featured on the Any Major Mexico mix), Helen Reddy, Bobbie Gentry, Carpenters, Maxine Nightingale, Merle Haggard, Hank Williams Jr, Andraé Crouch, Dolly Parton and others. He also produced or arranged for Diamond, Haggard, Gentry, Crouch, Dean Martin, Nancy Sinatra & Lee Hazlewood, Al Martino, Red Simpson, Jim Gilstrap (including House of Strangers on Any Major Soul 1975 Vol. 1), Yvonne Elliman, Ray Charles, Eddie Rabbit, Glen Campbell, Crystal Gayle and more…

im1612-gallery-3Gospel is a difficult genre to define, even if one just sticks to black gospel. The popular image is of robed choirs doing Oh Happy Day kind of stuff, or maybe Mahalia Jackson’s more blues inflected spirituals. Of course, Sister Rosetta Tharpe was a gospel singer who did more than most to help invent rock & roll. Joe Ligon, the founder of the Mighty Clouds Of Joy who has died at 80, was another innovator. The group started in the early 1960s as a traditional Southern Baptist shout-and-yell gospel band. But over time they incorporated influences from secular soul music, culminating in secular recognition, including being the first gospel act to appear on Soul Train. In that way, they blazed a trail for contemporary gospel acts such as The Winans. The secular world appreciated the Mighty Clouds Of Joy as well: they opened for acts like the Rolling Stones, Paul Simon and Aretha Franklin.

In the world of jazz-fusion, drummer Alphonse Mouzon was royalty. A founder member of Weather Report (even if that stint was short-lived) he released several LPs and backed some of the great names in the genre, from Roy Ayers and Herbie Hancock to Al di Meola , but also more traditional jazz people, such as Miles Davis and Les McCann. He also drummed for non-jazz acts, such as Tim Hardin, Roberta Flack, Eugene McDaniels and Freda Payne.

The Grim Reaper made it a habit in 2016 of taking musicians before their time. French singer Léo Marjane can have no such complaints: she lived to the age of 104. At one point, before and during World War 2, Marjane was among the biggest singing stars in France, right up there with Edith Piaf, Jean Sablon and Charles Trenet (who wrote Marjane’s biggest hit, 1941’s Seule ce soir). Her career collapsed with the liberation of France when she was accused of having sung in venues frequented by German officers and performed on radio stations controlled by French collaborators. She ascribed this to naiveté. A comeback attempt in the 1950s failed, partly because her genre of music was on the decline, and partly because the French public had not forgotten the past. By 1957 she married a French aristocrat and quit the music business.

This month we lost the singer-writers of two beloved Christmas pop songs in George Michael and Greg Lake (and Rick Parfitt, who sang on the Band Aid single). Irish band manager Frank Murray had a role in the creation of another Christmas classic: Fairytale Of New York. Murray was the manager of The Pogues when he suggested they cover The Band’s Christmas Must Be Tonight. The band turned down the idea, so Murray challenged frontman Shane McGowan to write something better. Which he did. Murray also got Kirsty MacColl to duet on the song.

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Mark Gray, 64, country singer, songwriter, keyboardist with Exile, on Dec. 2
Exile -Take Me Down (1980, as co-writer)

Herbert Hardesty, 91, jazz trumpeter & saxophonist, on Dec. 3
Fats Domino – Blue Monday (1956, on baritone sax)
Herb Hardesty – Perdido Street (1962)
Growly-the-DCM-monster – Whistlin’ Past The Graveyard (1978)

Larry Muhoberac, 79, arranger, producer, and keyboardist, on Dec. 4
Neil Diamond – I Am…I Said (1971, as arranger)
Barbra Streisand – Beautiful (1971, on piano)
Jessi Colter – I’m Not Lisa (1975, on piano)

Wayne Duncan, 72, bassist of Australian rock band Daddy Cool, on Dec. 4
Daddy Cool – Zoop Bop Gold Cadillac (1971)

Ralph Johnson, lead singer of The Impressions (as of 1973), on Dec. 4
The Impressions – I’m A Changed Man (Finally Got Myself Together) (1973)

Adam Sagan, 35, drummer of metal bands Circle II Circle, Into Eternity, on Dec. 5

Big Syke, 48, rapper, on Dec. 5
2Pac feat. Big Syke and Kurupt – Check Out Time (rel. 1996; as co-rapper)

Greg Lake, 69, English singer and guitarist/bassist (King Crimson, ELP), on Dec. 7
King Crimson – I Talk To The Wind (1969)
Emerson, Lake & Palmer – Lucky Man (1970)
Greg Lake – I Believe In Father Christmas (1975)

Palani Vaughan, 72, Hawaiian music singer, on Dec. 8

George Mantalis, 81, singer with vocal group The Four Coins, on Dec. 10
The Four Coins – Memories Of You (1955)

Damião Experiença, 81, Brazilian singer-songwriter, musician, producer on Dec. 10

Joe Ligon, 80, lead singer of gospel group Mighty Clouds Of Joy, on Dec. 11
Mighty Clouds Of Joy – You’ll Never Know (1961)
Mighty Clouds Of Joy – Time (1974)

Valerie Gell, 71, member of English beat group The Liverbirds, on Dec. 11
The Liverbirds – Leave All Your Old Loves (1964)

Bob Krasnow, 82, record executive, co-founder of the Rock and Roll Hall of Fame, on Dec. 11

Jim Lowe, 93, singer-songwriter and DJ, on Dec. 12
Jim Lowe – Green Door (1956)

Barrelhouse Chuck, 58, American blues musician, on Dec. 12

Mark Fisher, 57, keyboardist of British pop group Matt Bianco, on Dec. 12
Matt Bianco – Don’t Blame It On That Girl (1988, also as co-writer)

Betsy Pecanins, 62, US-born Mexican singer, songwriter, producer, on Dec. 13

Alan Thicke, 69, Canadian actor and TV theme songwriter, on Dec. 13
Al Burton – Theme of Diff’rent Strokes (1978, as songwriter)

Bunny Walters, 63, New Zealand singer, on Dec. 14
Bunny Walters – Brandy (1972)

Dave Shepherd, 87, English jazz clarinetist, on Dec. 15

Léo Marjane, 104, French singer, on Dec. 18
Léo Marjane – Seule ce soir (1941)

Sven Zetterberg, 64, Swedish blues musician, on Dec. 18

Gordie Tapp, 94, Canadian country singer and comedian (Hee Haw), on Dec. 18
Gordie Tapp  – Trouble In The Amen Corner

Andrew Dorff, 40, country songwriter (brother of actor Stephen Dorff), on Dec. 19
Blake Shelton – My Eyes (2013, as co-writer)

Sam Leach, 81, British concert promoter (also for the early Beatles), on Dec. 21

Betty Loo Taylor, 87, jazz pianist, on Dec. 21

Frank Murray, 66, Irish manager of Thin Lizzy, The Pogues, on Dec. 22
The Pogues – If I Should Fall From Grace With God (1988, as manager)

Mick Zane, 57, guitarist of heavy metal band Malice, on Dec. 23

Rick Parfitt, 68, guitarist and singer with Status Quo, on Dec. 24
Status Quo – Pictures Of Matchstick Men (1967)
Status Quo – Down Down (1974)
Status Quo – Accident Prone (1978)

Carole Smith, 94, country songwriter, on Dec. 24
Sonny James – Don’t Keep Me Hangin’ On (1970, as co-writer)

George Michael, 53, singer and songwriter, on Dec. 25
Wham! – Wham Rap! (1982)
George Michael – Don’t Let The Sun Go Down On Me (at Live Aid, 1985)
George Michael – Kissing A Fool (1987)
George Michael – Fastlove (1996)

Alphonse Mouzon, 68, jazz-fusion drummer, on Dec 25.
Eugene McDaniels – Susan Jane (1971, on drums)
Alphonse Mouzon – Playing Between The Beats (1978)

Knut Kiesewetter, 75, German jazz singer, songwriter and producer, on Dec. 28
Knut Kiesewetter – Good Night Irene (1963)

Pierre Barouh, 82, French actor, writer and musician, on Dec. 28

Debbie Reynolds, 84, American actress and singer, on Dec. 28
Debbie Reynolds & Carleton Carpenter – Aba Daba Honeymoon (1950)
Debbie Reynolds – Tammy (1957)
Debbie Reynolds – With A Little Love (Just A Little Love) (1969)

Allan Williams, 86, first manager of The Beatles, on Dec. 30

David Meltzer, 79, beat-poet and musician, on Dec. 31
Tina & David Meltzer – Pure White Place (1996)

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  1. halfhearteddude
    January 5th, 2017 at 07:21 | #1

    PW = amdwhah

  2. RhodB
    January 6th, 2017 at 21:49 | #2

    Thanks Amd

    Another fine job

    Regards

    Rhod

  3. Jim
    January 7th, 2017 at 03:58 | #3

    Thank you. Your writing is dignified and informative as always. Perhaps this feature will be less busy for a while. Here’s to a brighter 2017.

  4. halfhearteddude
    January 7th, 2017 at 12:19 | #4

    Thanks, Jim. A bit less work on this series would be very welcome for every reason…

  5. JohhnyDiego
    January 7th, 2017 at 14:30 | #5

    I’ve said in several previous Memoriams that I find it a bit sad and maybe even a little macabre that whenever I hear of a musician passing I can’t help but first wonder how Halfhearted Dude would present their death and which song or songs he will include in the mix. I’m at the age when my pop stars (as well as family and friends) are beginning to fade away. Thank you, Dude, for taking the time and effort to compile these Memoriams. I’ll know when the end has come when I finally see my name listed.

  6. dogbreath
    January 10th, 2017 at 12:11 | #6

    Sad to see even more of my musical heroes go. What a rotten year it’s been for music deaths. Still, to misquote Defoe, death and taxes are the only things we can be certain of in this life. Thanks for assembling the monthly roll call. Cheers!

  7. bobbih2
    January 10th, 2017 at 17:50 | #7

    I am much aggrieved about the death of so many musical greats in 2016. It’s been devastating. Thanks for your commemoration of each of them!!

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