Should Have Been A UK Top 10 Hit – Vol. 1
Every year an American radio DJ invites the public to vote for songs that should have been Top 10 hits in the US. Billing the vote as ”It Really Shoulda been a Top 10 hit!”, Rich Appel releases the annual list to coincide with 15 April, the big tax day in the US (hence the initials IRS).
Borrowing the concept, here’s the first lot of UK hits that missed the Top 10. More will follow, for UK chart outrages are many. But to keep the number of tracks in check, I instituted certain rules. The songs must have had a shot at the Top 10, so only songs that reached the Top 40 qualified (though on my shortlist there are a couple of exceptions) . If songs were Top 10 hits in the US, they were usually disqualified, so were songs that are now bona fide classics, else the Motown catalogue alone would flood my already long shortlist. And I used the year 1990 as a cut-off, since after that the UK charts gradually lost any meaning, even if the Oasis vs Blur battle for #1 was big news a few years after.
While promotion strategies and pure chance often decided whether a song would become a Top 10 hit or not, it is inexplicable why some of those included here failed to climb such heights. How did The Whole Of The Moon, a real classic, stagnate at #26, when in the week the song peaked the Top 10 included such garbage as Elton John’s Nikita and Jennifer Rush’s The Power Of Love? How did The Undertones’ utterly glorious Teenage Kicks get stuck at #31 when awfulness such as Frankie Miller’s Darlin’, Smokie’s Mexican Girl and, have mercy, Father Abraham & The Smurfs’ Dippety Day ranked above it?
And what injustice befell The Cure’s Inbetween Days to get stuck behind such horrors as Baltimora’s Tarzan Boy, Opus’ Life Is Live, Amazulu’s Excitable and Tina Turner’s We Don’t Need Another Hero?
One song here that failed to even crack the Top 30 did make it to #1, in a way, when Dexys Midnight Runners hit the top with Geno, a song dedicated to soul singer Geno Washington which references his #39 hit Michael (The Lover) from 1967.
And for the UK election in May, let’s have The Redskins’ song as the anthem, even as the return of the ghastly David Cameron seems inevitable.As always, the mix is timed to fit on a standard CD-R and includes home-charted covers. PW in comments.
1. The Undertones – Teenage Kicks (#31 1978)
2. Aztec Camera – Oblivious (# 18 1983)
3. Big Sound Authority – This House (Is Where Your Love Stands) (#21 1985)
4. The Blow Monkeys – Diggin’ Your Scene (#12 1986)
5. Hipsway – The Honeythief (#17 1986)
6. The Waterboys – The Whole Of The Moon (#26 1985)
7. The Redskins – Bring It Down (This Insane Thing) (#33 1985)
8. The Jesus And Mary Chain – Darklands (#33 1987)
9. China Crisis – Black Man Ray (#14 1985)
10. Prefab Sprout – When Love Breaks Down (#25 1985)
11. The Colourfield – Thinking Of You (#12 1985)
12. ABC – When Smokey Sings (#11 1987)
13. Geno Washington – Michael (#39 1967)
14. The Foundations – Back On My Feet Again (#18 1968)
15. The Young Rascals – A Girl Like You (#37 1967)
16. Jesse Green – Nice And Slow (#17 1976)
17. The Beginning Of The End – Funky Nassau (Part 1) (#31 1974)
18. Osibisa – Sunshine Day (#17 1976)
19. Kiki Dee – Star (#13 1981)
20. Susan Fassbender – Twilight Cafe (#21 1981)
21. The Alarm – Sixty-Eight Guns (#17 1983)
22. The Cure – In Between Days (#15 1985)