Any Major Halloween Vol. 1

October 23rd, 2014 7 comments

Halloween_1

A few years ago I posted a couple of Halloween mixes. Neither exists any longer, so it seems good to revisit the project. So, for this Halloween, the first new mix.

There are spooky and unnerving songs — The kind of stuff that might freak out Bart, Lisa and Milhouse in their treehouse. — as well as a few more light-hearted novelty tracks, and a pretty funny comedy song by a young Jimmy Fallon. None of them are The Monster Mash.

One artist features twice: Dr John with 1968’s unsettling Gris-Gris Gumbo Ya Ya, and nine years before that as Morgus & The 3 Ghouls, riffing on a popular TV character of the time.

Stan Ridgway’s Camouflage is as spooky a song as they come with the story of a ghostly soldier in battle; Warren Zevon has a similar theme, with some politics thrown into the stew for good measure.

For a truly sad tale, read the tragic story of Jackson C Frank, who was produced in the mid-‘60s by Paul Simon and went on to influence artists such as Nick Drake and his ex-girlfriend Sandy Denny. He might well be the most luckless man ever in music history.

As always, the mix is timed to fit on a standard CD-R and includes home-scared covers. PW in comments.

1. The Go! Team – Phantom Broadcast (2005)
2. Rob Zombie feat. The Ghastly Ones – Halloween (1998)
3. The Pogues – Turkish Song Of The Damned (1988)
4. Tony Joe White – They Caught The Devil And Put Him In Jail In Eudora, Arkansas (1971)
5. Dr John – Gris-Gris Gumbo Ya Ya (1968)
6. The Box Tops – I Must Be The Devil (1969)
7. Donovan – Wild Witch Lady (1973)
8. The Who – Dr. Jekyll & Mr. Hyde (1968)
9. Fleetwood Mac – The Green Manalishi (1970)
10. Golden Earring – The Devil Made Me Do It (1982)
11. Squirrel Nut Zippers – Hell (1996)
12. Sam the Sham – Haunted House (1964)
13. The Duponts – Screamin’ Ball (At Dracula Hall) (1958)
14. Soupy Sales – My Baby’s Got A Crush On Frankenstein (1962)
15. Big Bopper – Purple People Eater Meets The Witch Doctor (1958)
16. Morgus & The 3 Ghouls – Morgus The Magnificent (1959)
17. The Moon-Rays – Blues For Vampira (2004)
18. Hoodoo Gurus – Hayride To Hell (1985)
19. Stan Ridgway – Camouflage (1986)
20. Warren Zevon – Roland The Headless Thompson Gunner (1978)
21. Jackson C Frank – Halloween Is Black As Night (1960s)
22. Tim Curry – Anything Can Happen On Halloween (1986)
23. Nancy Dupree – Fankenstein (1970)
24. Jimmy Fallon – Happy Halloween (1998)

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A Life In Vinyl: 1979

October 16th, 2014 8 comments

A Life in Vinyl 1979.

As 1979, the year I turned 13, began I tried to fast-track myself to serious popfanship. The previous year I had started to investigate the pop music of the past. I had read up about the rock ‘n’ roll of the 1950s in a fanzine, and I had been particularly taken with the 1960s. The Box Tops’ “The Letter”, released ten years earlier and therefore in another lifetime altogether, was a particular favourite. For Christmas I asked for and received the three essential Beatles double album compilations: 1962-66, 1967-70 and Love Songs.

And in 1978 I had dabbled in punk. Now I flirted with the other side. I listened to Al Stewart, whose music I still like but who didn’t really aim for 13-year-olds. I pompously expounded on the “brilliance” of Barclay James Harvest’s XII album, which I neither understood nor actually liked. It is, indeed, quite awful. I soon became sick of the pretense. That didn’t stop me, however, from getting Supertramp’s Breakfast in America album later in the year.

By the time my birthday in April arrived, I had reverted to eclectic record-buying. LPs by Status Quo and Queen, and singles by artists as diverse as Thin Lizzy, Hot Chocolate, Billy Joel and the disco outfit The Richie Family. With that in hand, Barclay James Harvest and their prog-rock noodling was soon passé.

I was not immune to questionable musical choices. I would hesitate to describe ownership of Olivia Newton-John’s Totally Hot LP or Suzi Quatro’s Smokie-produced If You Knew Suzi…  album as evidence of musical sophistication. Still, I knew the real horrors of 1979, the songs which are forgotten by the nostalgia that recalls the year  as a highwater mark in pop — which, of course, it was..

Much of the charts were infected by some of the worst music ever made. There were some post-disco horrors around in Europe: Snoopy, Luv and Luisa Fernandez (couldn’t sing, couldn’t dance) were among the most talent-free offenders, and the Vader Abraham Smurfs song cannot be redeemed even by the most indulgent childhood nostalgia (Holland, you nearly fucked up 1979!).

covers79_2

But I reserved my most virulent bile for two particular songs which, with hindsight, I acknowledge to be quite brilliant. First there was Patrick Hernandez “Born To Be Alive”, which blighted every German school disco (where I lived, it was “danced” to by jumping with legs closed from one side to another, if possible with the beat). The song still evokes the taste of cheap cola and peanut twirls, and the anxiety of relating to girls who suddenly had become romantic notions.

The other musical nemesis was Cliff Richard’s “We Don’t Talk Anymore”. It’s a very good song, but it was ubiquitous in the summer of 1979. Besides, I had taken a dislike to Cliff Richard before I ever knowingly heard a note he sang. I was not going to surrender my antipathy to that song.

Cliff scored my unhappy summer of 1979, on which I was sent on a church youth camp, as I had been two years before. In 1977 the camp group had been great. I had fallen “in love”, we had great outings and fantastic leaders. In 1979 the group was populated by creeps, and I didn’t like any of the girls other than those older than I was, and therefore unattainable. On top of that, the camp leaders ignored my complaint of theft, the sort of commandment-violation one might think would require some sort of reaction in a church-run jam.  I never went again.

Things picked up in autumn. And what an autumn it was — indeed, the stretch from autumn 1979 to early summer 1980 produced a fantastic run of singles purchases. It started with The Knack’s “My Sharona”, the cover of which, I must confess, excited my hormones the way the girls in my age cohort on summer camp didn’t (I liked the song, too. Still do). There were some new kind of sounds. Gary Numan’s Tubeway Army, with the synth sound that seemed more musical to me than the robotic Kraftwerk, set the scene for the New Romantics which would arrive within a year and a bit. “Video Killed The Radio Star” sounded very unusual too.

But my favourite act of 1979 was the Boomtown Rats. I had liked them before, of course, but “I Don’t Like Mondays” was a few cuts above “She’s So Modern” or “Like Clockwork”. I loved their The Fine Art Of Surfacing LP. It has not really stood the test of time, but I’ll stand by the trio of singles — “Mondays”, “Diamond Smiles”, “Someone’s Looking At You” — and closing track “When the Night Comes” .

And as 1979 ended, I started to get into AC/DC — just in time for Bon Scott’s death in February 1980.

covers79_1

For those who really need to know, songs with a green asterisk I owned in 1979 on Single, red on LP (track 7 on a compilation album), blue on tape.

1. Status Quo – Accident Prone **
2. Thin Lizzy – Rosalie (live) *
3. Hot Chocolate – I’ll Put You Together Again *
4. Patrick Hernandez – Born To Be Alive
5. Ritchie Family – American Generation *
6. Billy Joel – My Life *
7. Gerard Kenny – New York, New York *
8. Elton John – Return To Paradise *
9. George Harrison – Blow Away *
10. Art Garfunkel – Bright Eyes *
11. Clout – Save Me *
12. Amii Stewart – Knock On Wood *
13. The Knack – My Sharona *
14. Tubeway Army – Are ‘Friends’ Electric *
15. Electric Light Orchestra – Don’t Bring Me Down *
16. B.A. Robertson – Bang Bang *
17. The Buggles – Video Killed the Radio Star *
18. Thom Pace – Maybe *
19. Boomtown Rats – Diamond Smiles *

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Not Feeling Guilty Mix Vol. 3

October 9th, 2014 12 comments

Not Feeling Guilty Mix Vol. 3

After two recycled mixes in this series, here’s a brand-new collection. This one is at least as good as the other two, with some glorious songs one doesn’t hear often today, even on radio stations that specialise in retro stuff. And because I have relaxed the no-duplication-of-artists rule, some acts return with tracks that are as good as those I picked for the first two mixes — Ambrosia are one example; Boz Scaggs, Dan Folgelberg and Player others. And there is Kenny Loggins, a man who is unjustly maligned by some people.

His “Heart To Heart” is mighty, with its great bridge leading to the punchy chorus.  The thing was co-written with David Foster and Michael McDonald, who does backing vocals and keyboard duty. David Sanborn, operating in an era before he was the Kenny G it was sort of OK to like, adds a nice sax solo. It’s good to be alive when one hears that song.

As far as I can see, only one song here is a cover, Carly Simon’s version of The Doobie Brothers’ “You Belong To Me”, later covered to good effect by soul singer Anita Baker.

As previously noted, the genre which some call yacht rock (I’ll watch the satirical series of the name one day, but, the cover above notwithstanding, I hate the moniker) or adult contemporary (yeurgh) was underpinned by top class session work, its practitioners often coming from the world of jazz fusion. Two songs here are in fact credited to fusion people: Lee Ritenour’s “Is It You”, with Eric Tagg on vocals, and Stanley Clarke & George Duke’s “Sweet Baby”. The Internet tells me some people don’t like the latter; I think it has a lovely vibe.

There will be a fourth mix. In the meantime, this lot is timed to fit on a CD-R, and includes home-knitted covers. PW in comments.

1. Boz Scaggs – Lido Shuffle (1976)
2. Hall and Oates – Say It Ain’t So (1983)
3. Kenny Loggins – Heart To Heart (1982)
4. Lee Ritenour with Eric Tagg – Is It You (1981)
5. Eddie Rabbitt – Suspicions (1979)
6. Ambrosia – The Biggest Part Of Me (1980)
7. Jim Messina – Seeing You (For The First Time) (1979)
8. Stanley Clarke/George Duke Project – Sweet Baby (1981)
9. Bill LaBounty – Never Gonna Look Back (1982)
10. Player – Givin’ It All (1980)
11. Dan Fogelberg – Missing You (1982)
12. Robbie Dupree – Steal Away (1980)
13. Carly Simon – You Belong To Me (1978)
14. Gino Vanelli – I Just Want To Stop (1978)
15. Bertie Higgins – Key Largo (1982)
16. England Dan & John Ford Coley – We’ll Never Have To Say Goodbye Again (1978)
17. Orleans – Dance With Me (1975)
18. Nicolette Larson – Give A Little (1978)
19. Elvin Bishop – Fooled Around And Fell In Love (1975)
20. Andrew Gold – Lonely Boy (1976)

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Not Feeling Guilty Mix Vol. 1
Not Feeling Guilty Mix Vol. 2

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Any Major Summer Vol. 4

October 2nd, 2014 6 comments

Any Major Summer Vol. 4

The title of a rather peculiar Beach Boys instrumental once announced that “Fall Breaks And Back To Winter”. And so it is for the northern hemisphere. Summer’s gone, and here is a fourth summer mix to say farewell till next year. For us in the southern half of the globe, of course, summer is still coming.

This mix brings the summer comps to a full cycle: I posted the first summer mix during the northern winter, to warm you up. The second mix was in spring, by way of anticipation. The third mix was posted during summer, which made sense. And now the fourth goes out in the autumn.

There’s still enough for a fourth mix (yes, with The Doors closing the series).

summer-covers

As always, the mix fits on a CD-R and includes bright, summery covers. PW same as always.

1. Meat Loaf – You Took The Words Right Out Of My Mouth (1977)
2. The Cars – Magic (1984)
3. The Go-Go’s – Vacation (1982)
4. Bananarama – Cruel Summer (1983)
5. Wham! – Club Tropicana (1983)
6. Windjammer – End Of Summer (1982)
7. Chairmen Of The Board – Summerlove (1983)
8. Billy Paul – July, July, July, July (1975)
9. Brighter Side Of Darkness – Summer Ride (1972)
10. Spanky Wilson – The Last Day Of Summer (1969)
11. The Beach Boys – The Girls On The Beach (1964)
12. Lesley Gore – Sunshine, Lollipops And Rainbows (1965)
13. Connie Francis – Vacation (1962)
14. Pat Boone – Love Letters In The Sand (1957)
15. Robin Ward – Wonderful Summer (1963)
16. John Tavolta & Olivia Newton-John – Summer Nights (1978)
17. Stray Cats – Lonely Summer Nights (1981)
18. The Kinks – Sitting In The Midday Sun (1973)
19. Elvis Costello – The Other Side Of Summer (1991)
20. Belle & Sebastian – A Summer Wasting (1998)
21. The Alarm – Rain In The Summertime (1987)
22. Foo Fighters – Summer’s End (2007)

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Any Major Summer Vol. 1
Any Major Summer Vol. 2
Any Major Summer Vol. 3
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In Memoriam – September 2014

September 25th, 2014 6 comments

The round-up of September’s dead and their music comes prematurely this month because owing to travel commitments I shall be unable to complete the post in time for first Thursday of the next month. Of course next month’s In Memoriam will include the remainder of September’s musical deaths.

In Memoriam - September 2014Just as there is an increased interest again in the Four Seasons, due to the release of the The Jersey Boys film, their long-time songwriter and producer Bob Crewe has died. Crew co-wrote classics, as lyricist, such as Big Girls Don’t Cry, Walk Like A Man, Sherry, Rag Doll, Can’t Take My Eyes Off You, Let’s Hang On, My Eyes Adored You and Bye, Bye, Baby for the Four Seasons/Frankie Valli, for whom he also wrote songs that became big hits for others, Silence Is Golden (for The Tremeloes) and The Sun Ain’t Gonna Shine Anymore (Walker Brothers).

Crewe’s first hit record was Silhouettes, recorded in 1957 by both The Rays and then The Diamonds, but a bigger hit later for Herman’s Hermits. The Rays’ b-side was Daddy Cool, a 1977 hit for Darts, also co-written by Crewe. Later he wrote the lyrics to such hits as Music to Watch Girls By (which he originally recorded as The Bob Crewe Generation) and Lady Marmalade.

On the same day as Crewe died, we lost another musician featured (briefly) in The Jersey Boys was composer, arranger and musician Johnny Rotella. Like the next artist, he did session work for Steely Dan (on My Old School). Better yet, the multi-talented musician — he played the saxophone, flute, piccolo — played for Frank Zappa and wrote for Frank Sinatra. Early in his career he played with the big bands led by Tommy Dorsey, Benny Goodman and Billy Vaughn. He played on the scores for both Godfather films in the 1970s as well as The Wiz. He was a band regular on the Sonny and Cher Comedy Hour and played on many other television shows, including those hosted by Andy Williams and Sinatra.

In April we lost original Jazz Crusaders trombonist Wayne Henderson; in September the band’s great keyboardist Joe Sample left us. He stayed with The Crusaders until their end, in 1987. He wrote or co-wrote many of their great songs, including the two classics featuring Randy Crawford, Streetlife and One Day I’ll Fly Away. In between he released a few acclaimed solo albums. He also did a lot of session work, much of it on songs heard in the Covered With Soul and Any Major Soul series (Merry Clayton, Maxine Weldon, Marvin Gaye, Minnie Riperton),for jazz giants (Gene Ammon, Quincy Jones) and legends of rock and folk (Joni Mitchell, Joan Baez, Steely Dan, Tina Turner, for whom he produced her slowed-down version of The Beatles’ Help). Conscious of his mortality, in 2011 Sample put the band together again, with Henderson, saxophonist Wilton Felder and flautist Hubert Laws, but without drummer Stix Hooper, who declined taking part.

Depending on your age, Polly Bergen may not be remembered so much as a singer — despite releasing 11 albums, singing on her 1960s TV show and appearing in Broadway musicals — but as an actress. As a fan of the TV series The Sopranos I feel duty-bound, however, to give her a special mention: in the show she played the former mistress of Tony’s father (the one who also had an affair with JFK). She also had a memorable turn as Lynette Scavo’s mother in Desperate Housewives, before the series became entirely unwatchable.

For some people, the studio in which a song was recorded is as important as the musicians who played on it or the producer who put it together. Such people will be saddened to learn of the death at 82 of Tom Skeeter, co-owner of Sound City Studios. Some stone cold classics came from the LA studio, among them Neil Young’s After The Gold Rush, Elton John’s Caribou, the self-titled albums by Buckingham Nicks and Fleetwood Mac, Dr. John’s Gumbo, War’s Why Can’t We Be Friends?, Foreigner’s Double Vision and later Nirvana’s Nevermind, The Black Crowes’ Amorica, Red Hot Chili Peppers’ One Hot Minute, Weezer’s Pinkerton as well as Rage Against the Machine’s and Blind Melon’s self-titled albums.

You might not know the name David Anderle, and nor did I until after his death at 77 on September 1.  Anderle certainly had a hand in creating some great music. He persuaded Verve to sign Frank Zappa, managed Van Dyke Parks and helped the Beach Boys set up their own record label. He worked variously as A&R man or producer for acts such as The Doors, Judy Collins, Kris Kristofferson, Rita Coolidge, Delaney and Bonnie, Amy Grant, Chris de Burgh and more. And he also supervised the music on movies such as Good Morning Vietnam, The Breakfast Club, Pretty in Pink and Scrooged.

Any unnatural death is a tragedy, worse when the person is young. Three singers in their 20s died of unnatural causes in September. Two were members of the South Korean pop band Ladies’ Code. They lost their lives in a car accident when a van carrying the group crashed in wet conditions on September 3. Go Eun-bi, 21, died instantly; Kwon Ri-se, 23, died from her injuries on September 7.

And in between those dates, former The X-Factor contestant Simone Battle, 25, died of suicide. She had the dubious benefit of being coached by the deplorable Simon Cowell. She didn’t win the thing, but became a member of G.R.L., touted as a continuation of the Pussycat Dolls, who had an international hit this year with “Ugly Heart”, and backed Pitbull on “Wild Wild Love”.

Just after that, jazz man Gerald Wilson died at very old age of 96. Note the featured tracks: one from 1941, the other from 2011. In a career spanning more than seven decades, Wilson accumulated a prodigious catalogue, and also played with some of the greatest in jazz, people like Jimmy Linceford, Duke Ellington, Count Basie and Dizzy Gillespie. His bands have included future greats such as Bud Shank, Roy Ayers, Joe Pass and Mel Lewis. He wrote arrangements for artists such as Sarah Vaughan, Ray Charles, Julie London, Ella Fitzgerald, Benny Carter, Lionel Hampton, Billie Holiday, Dinah Washington and Nancy Wilson. And funk friends will be interested to know that he was Shuggie Otis’ father-in-law.

graveyard

David Anderle, 77, record executive and producer, on Sept. 1
Kris Kristofferson & Rita Coolidge – Lover Please (1978)

Ralf Bendix, 90, German singer and producer, on Sept. 1
Ralf Bendix – Hotel zur Einsamkeit (1956, German cover of Heartbreak Hotel)

Go Eun-bi, 21, singer with Korean pop band Ladies’ Code, on Sept. 3

Gustavo Cerati, 55, singer of Argentinian rock band Soda Stereo, on September 4
Soda Stereo – Cuando pase el temblor (1985)

Hopeton Lewis, 66, Jamaican rocksteady singer, on Sept. 4
Hopeton Lewis – Take It Easy (1966)

Mizchif, 38, Zimbabwean-born, South Africa-based rapper, on Sept. 4

Kerrie Biddell, 67, Australian jazz and session singer, on Sept. 5
Daly-Wilson Big Band feat Kerrie Biddell – In Necessity (1975)

Simone Battle, 25, American singer of pop group G.R.L., suicide on Sept. 5

Kwon Ri-se, 23, singer with Korean pop band Ladies’ Code, on Sept. 7

Gerald Wilson, 96, jazz trumpeter, bandleader and composer, on Sept. 8
Jimmie Lunceford and his Orchestra – Life Is Fine (1941, on trumpet)
Gerald Wilson – September Sky (2011)

Robert ‘Throb’ Young, 49, guitarist of Scottish alternative rock group Primal Scream, body found  Sept. 9
Primal Scream – Rocks (1992)

Bob Crewe, 82, songwriter and producer, on Sept. 11
The Rays – Silhouettes (1957, as co-writer)
Four Seasons – Silence Is Golden (1964, as co-writer)
Bob Crewe Generation – Menage A Trois (1977)

Johnny Rotella, 93, composer, arranger and musician, on Sept. 11
Frank Sinatra – Nothing But The Best (1962, as co-writer)
Harry Nilsson – Down By The Sea (1975, on baritone sax)

Cosimo Matassa, 88, recording engineer and studio owner, announced on Sept. 11
Little Richard – Tutti Frutti (1957, as engineer)

Joe Sample, 75, jazz-fusion pianist with The Crusaders and songwriter, on Sept. 12
Crusaders – Keep That Same Old Feeling (1976)
Steely Dan – Black Cow (1977)
Crusaders with Randy Crawford – One Day I’ll Fly Away (1980)
Joe Sample – Seven Years Of Good Luck (1989)

John Gustafson, 72, English singer and bassist (Merseybeats, Ian Gillan Band, Roxy Music), on Sept. 12
The Merseybeats – Wishin’ And Hopin’ (1964)
Roxy Music – Street Life (1973)

Tom Skeeter, 82, co-owner of Sound City Studios, on Sept. 12
War – Why Can’t We Be Friends (1975, as recording studio owner)

Andrea Marongiu, drummer of British dance band Crystal Fighters, on Sept. 12

Peter Gutteridge, 53, New Zealand singer and guitarist, announced in Sept. 14

Jackie Cain, 86, half of jazz vocalist duo Jackie & Roy, on Sept. 15
Jackie & Roy – Day By Day (1972)

George Hamilton IV, 77, country singer, on Sept. 15
George Hamilton IV – A Rose And A Baby Ruth (1956)
George Hamilton IV – Abilene (1963)

Kenny Wheeler, 84, Canadian jazz trumpeter, on Sept. 18

Milton Cardona, 69, Puerto Rican jazz musician, on Sept. 19
Milton Cardona – Yemaya (1986)

Polly Bergen, 84, singer and actress, on Sept. 20
Polly Bergen – I Want To Be Happy (1959)

Pete Shutler, 68, member of British folk group The Yetties, on Sept. 21

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A Life in Vinyl: 1978

September 18th, 2014 5 comments

Life In Vinyl 1978

In 1978 I made it my business to become a respectable buyer of pop music — at least, to be more respectable than my fellow 12-year-olds. My benchmark in such things was my older brother, who had a broad record collection. He introduced me to things like Jethro Tull’s Aqualung LP (which I’d buy two years later). So in April I bought a bunch of singles: Gerry Rafferty’s “Baker Street”, Kate Bush’s “Wuthering Heights” and, yes, something by Jethro Tull. My brother never indicated whether he was impressed; happily I liked my purchases.

A little later I discovered punk. My best friend at the time and I bought records by the Sex Pistols, The Stranglers, Sham 69, The Damned, Boomtown Rats and, erm, Plastic Bertrand (who, it later turned out was the Milli Vanilli of punk).

I was aware of disco, of course, and bought the Saturday Night Fever soundtrack, though I didn’t play it much. I liked Walter Murphy’s “A Fifth of Beethoven” though.

1978_1

But the records I’m most proud of are the singles I bought in January 1978, just weeks after I had still bought a single by Harpo: The Runaways’ “School Days”, Tom Robinson’s “2-4-6-8 Motorway” and Blondie’s “X-Offender”. All are still favourites, though the Blondie track featured here is the single I bought on a trip to Amsterdam.

Which brings me to the illustrations for these posts: of the records I actually owned, I include the cover of the format in which I bought them — single or LP. In the case of the Blondie record, I naturally use the Dutch cover.

And of this lot, I had all the records except those of John Paul Young (who would lend his name to two popes later that year), El Pasador, Brian & Michael, Marshall Hain and Exile — those I include because they recreate the smells and sounds of my 1978.

1978_2As always, CD-R length, covers, PW in comments.

1. The Runaways – School Days
2. Tom Robinson Band – 2-4-6-8 Motorway
3. Status Quo – Rockin All Over The World
4. Uriah Heep – Free Me
5. Wings – With A Little Luck
6. John Paul Young – Love Is In The Air
7. Darts – Come Back My Love
8. Genesis – Follow You, Follow Me
9. Brian & Michael – Matchstalk Men & Matchstalk Cats And Dogs
10. Manfred Mann’s Earth Band – Davy’s On The Road Again
11. Gerry Rafferty – Baker Street
12. Jethro Tull – Moths
13. Goldie – Making Up Again
14. Blondie – (I’m Always Touched By Your) Presence Dear
15. Sham 69 – Angels With Dirty Faces
16. The Stranglers – Nice ‘n’ Sleazy
17. The Motors – Airport
18. Sex Pistols – My Way
19. Plastic Bertrand – Ca Plane Pour Moi
20. Boomtown Rats – Like Clockwork
21. Marshall Hain – Dancing In The City
22. Clout – Substitute
23. Exile – Kiss You All Over

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Any Major TV Theme Songs Vol. 1

September 11th, 2014 13 comments

Any Major TV Theme Songs Vol. 1

TV themes: the great ones are over all too soon. So here’s a mix of full versions of 23 well-known TV themes, stretching from the 1970s to the present —extended versions of many TV themes which I posted exactly a year ago.

It seems that whereas in the past themes used to be written specifically for a show, modern series adopt songs previously released by often obscure artists. Which is great news for the artists, especially commercially. Examples of TV shows whose themes were derived by that method include The Wire (first recorded by Gravelly-Voiced Grinch whose name rhymes with Wom Taite in 1978), The Sopranos (by an English band in 1997),Mad Men (2006), True Blood (2005), Suits (2010) and Shameless (US version, 2005), as well as, I think, that of the great Justified.

This used to be much rarer in the past. One example of a song that was repurposed as a TV theme was Andrew Gold’s 1978 song “Thank You For Being A Friend”, which was re-recorded by Cynthia Fee to score the title credits for The Golden Girls. For more on that, and how Gold’s became to be the first voice to be broadcast on Mars, go to my post on The Golden Girls.

Another song that existed before the series it scores is that of How I Met Your Mother, an initially very funny show which outlived its welcome by about four years. Its theme is very brief. It is, in fact, a 11-second snatch from a song by a garage band called The Solids called “Hey, Beautiful”, written by band members Carter Bays and Craig Thomas — who are also the originators of the show which, what’s more, was based on them and their friends. I’ve written about How I Met Your Mother HERE.

Another show I’ve written about is Welcome Back, Kotter. Its theme is a 1970s archetype, in a way that’s better than it sounds. It was written and performed by John Sebastian, formerly of The Loving Spoonful and an alumnus of the crowd which The Mamas and the Papas sang about in “Creeque Alley”.

I also like the theme of WKRP In Cincinnati, much more than the show itself. The theme doesn’t really reveal the excellent musicianship of the track, so hearing Steve Carlisle’s full version, with its jazzy instrumental break is quite surprising.

I think I have enough good stuff for another two mixes, so there’s the answer to the question: “And where, may I ask, is the best-theme-ever, Dragnet/Hawaii-Five-O/Magnum P.I./Barney Miller/Twin Peaks?”

As always, the mix is timed to fit on a standard CD-R and includes home-tuned covers. PW in comments.

1. Pratt & McClain – Happy Days
2. Gary Portnoy – Where Everybody Knows Your Name (Cheers)
3. Mike Post feat. Larry Carlton – Theme from Hill Street Blues
4. Big George Webley – Handbags And Gladrags (The Office UK)
5. Wom Taits – Way Down In The Hole (The Wire)
6. Alabama 3 – Woke Up This Morning (The Sopranos)
7. Gangstagrass – Long Hard Times To Come (Justified)
8. Jace Everett – Bad Things (True Blood)
9. RJD2 – A Beautiful Mine (Mad Men)
10. Ima Robot – Greenback Boogie (Suits)
11. Jane’s Addiction – Superhero (Entourage)
12. The High Strung – The Luck You Got (Shameless US)
13. The Solids – Hey, Beautiful (How I Met Your Mother)
14. They Might Be Giants – Dog On Fire (The Dailly Show)
15. Joan Jett & The Blackhearts – Bad Reputation (Freaks & Geeks)
16. Hepburn – I Quit (Buffy The Vampyre Slayer)
17. Barenaked Ladies – Big Bang Theory
18. Steve Carlisle – WKRP In Cincinnati
19. John Sebastian – Welcome Back (Kotter)
20. Bob James – Angela (Taxi)
21. Andrew Gold – Thank You For Being A Friend (re-recorded for The Golden Girls)
22. Al Jarreau – Moonlighting
23. Henry Mancini & His Orchestra – Theme from Charlie’s Angels

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In Memoriam – August 2014

September 4th, 2014 4 comments

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Last week I switched on our local talk radio station, one that never plays music during weekdays. And there it was, playing George Michael’s “Kissing A Fool”. My first thought was: “Shit, did George Michael die?”, which would explain the music.

My second, rather cynical, thought was: “Oh well, that means we’ll have a headline death for In Memoriam”. When “Kissing A Fool” was over, a Billy Joel song came on, alerting me to the fact that George Michael was still happily alive. It seems the radio station merely had transmitter problems and was filling, ahem, dead air. All this is to say that this month, the Reaper was easy on the superstars and legends of music, presumably having had his fill in the world of cinema. But two August music-related deaths merit particular mention.

The producer and record company co-owner Henry Stone helped start the careers of Ray Charles in 1952, James Brown a few years later, Betty Wright in the ’60s, and a host of disco artists, such as George McCrae, Gwen McCrae and KC and the Sunshine Band ion the TK label, which he co-owned. As a distributor in the 1960s he helped bring the records from labels such as Atlantic, Stax and Motown to the public.

For people living in Britain in the 1980s, Mike Smith was a household name, as a DJ on BBC’s Radio 1 and as a presenter on Top of the Pops. He was largely inoffensive, even vaguely likeable. But in 1986 our lad fancied himself a bit of a censor. Two years earlier Radio 1’ priggish DJ Mike Read decided to be a guardian of public morality when he abruptly stopped playing Frankie Goes to Hollywood’s “Relax” and banned it from his show. It’s the only significant thing anyone will ever remember of Mike Read.

So in the summer of 1986, Mike Smith decided to follow his namesake’s example by banning the Jesus and Mary Chain’s “Some Candy Talking”. The BBC, perhaps burnt by their experience of helping to turn a minor hit into a mega-seller, declined to follow Smith’s moralising lead.  The song peaked at number 13 on the UK charts. Say what you like, but Mike Smith was a bitter foe of tooth decay.

 

Rod de’Ath, 64, Welsh drummer for Rory Gallagher, on August 1
Rory Gallagher – Cross Me Off Your List (1976)

Michael Johns, 35, Australian singer-songwriter & American Idols contestant, on August 1

Mike Smith, 59, English radio DJ and Top off the Pops presenter, on August 1
The Jesus and Mary Chain – Some Candy Talking (1986)

Olga Voronets, 88, Russian folk singer, on August 2

Kenny Drew Jr, 56, jazz pianist and composer, on August 3
Kenny Drew Jr – Waltz In A Minor (1999)

Val Eddy, 88, jazz musician and singer, on August 4

Jake Hooker, 61, Israeli-born guitarist of Arrows and songwriter, on August 4
Arrows – I Love Rock ‘n Roll (1975, also as co-writer)

Richie Taylor, 61, Irish rock musician and music journalist, on August 4

Henry Stone, 93, record company executive (TK Records) and soul/disco producer, on August 8
Timmy Thomas – Why Can’t We Live Together (1971, as record executive)

Andre Bush, 45, jazz guitarist, on August 8
Nnenna Freelon – Them There Eyes (2005, on guitar)

Robert ‘Bo’ Boehm, 55, Australian alt-rock musician, on August 8

Johnny Ray Allen, 56, ex-bassist with roots rock band The Subdudes, on August 8
The Subdudes – Any Cure (1989, also as co-writer)

Rick Parashar, 50, record producer (Pearl Jam, Alice in Chains), on August 15
Pearl Jam – Even Flow (1991, as producer)

John Blake Jr, 67, jazz violinist, on August 15

Billy Rath, 66, bassist with Johnny Thunders & The Heartbreakers, on August 16
Johnny Thunders & The Heartbreakers – I Wanna Be Loved (1977)

Ralph Morman, 65, singer with The Joe Perry Project, Savoy Brown, on August 17
Savoy Brown – Cold Hearted Woman (1981)

Pierre Vassiliu, 76, Swiss-born French singer, on August 17
Pierre Vassiliu – Qui C’est Celui-Là (1973)

Derek Rieth, 43, percussionist with Pink Martini, body found after suicide on August 20
Pink Martini – Amado Mio (1997)

Joseph ‘Powda’ Bennett, 76, Jamaican folk musician (Jolly Boys), on August 20

Jean Redpath, 77, Scottish folk singer-songwriter, on August 21
Jean Redpath – Lady Mary Ann (1976)

Aldo Donato, 66, Italian singer and composer, on August 24
Aldo Donati – Venezia A Decembre (1982)

Jason Curley, 42, bassist of Australian rock band Tumbleweed, on August 25
Tumbleweed – Acid Rain (1992)

Uziah ‘Sticky’ Thompson, 78, reggae singer and percussionist, on August 25
Peter Tosh – Apartheid (1977, on percussions)

Tim Williams, ca 30, bassist of thrash band Suicidal Tendencies, on August 26

Peret, 79, Spanish singer, guitarist and composer, on August 27
Peret – Borriquito (1971)

Jan Groth, 68, singer of Norwegian rock bands Aunt Mary, Just 4 Fun, on August 27

Joe Bethancourt, 68, folk musician, on August 28
Joe Bethancourt – Nine Yards Of Other Cloth (2004)

Glenn Cornick, 67, bassist of Jethro Tull (1968-70), on August 28
Jethro Tull – Nothing To Say (1970)

Stuart Gordon, violinist and guitarist with British pop band The Korgis, on August 28
The Korgis – Everybody’s Got To Learn Sometime (1980)

Jimi Jamison, 63, singer (Survivor, Cobra) and songwriter, on August 31
Survivor – Burning Heart (1985)
Jim Jamison – I’ll Be Ready (Baywatch Theme, also as songwriter)

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(PW in comments)

 

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Any Major Soul 1972 – Vol. 2

August 28th, 2014 9 comments

Any Major Soul 1972 - Vol.2

The second volume of Any Major Soul 1972 features a number of well-known acts, but few of them doing their better-known songs. This compilation demonstrates the sheer quality from which labels could choose singles.

Aretha Franklin, for example, covers Dusty Springfield’s “A Brand New Me” (though I prefer the original). A composition by Philly soul giants Thom Bell, Jerry Butler and Kenneth Gamble, Aretha departs from the early Philly soul to give it a southern soul vibe which turns into an extended jazzy outro.

One famous name missing on both volumes is Stevie Wonder, who released two soul classics in 1972, Music Of My Mind and Talking Book. Like the two Donny Hathaway classics also issued that year, these should be in every good record collection. Stevie is represented here by his ex-wife Syreeta, whose eponymous album he produced and wrote seven out of nine songs for, including the featured “Keep Him Like He Is”.

Few soul songs have give rise to a documentary. Billy Paul’s “Am I Black Enough For You” provided the context for a 2009 documentary by Swedish director Göran Hugo Olsson, which examines the career of Billy Paul, Philly soul, money in the record business and black politics. The song was Paul’s follow-up single to the crossover mega-hit “Me And Mrs Jones”. Needless to say that it did not provide another crossover hit. An expression of Paul’s political activism, its choice as a single did much to undermine the career of Billy Paul, even as it appeared at the same time of soul singers making statements of African-American assertiveness — it was the year, after all, in which Aretha Franklin, universally admired Queen of Soul, titled her LP Young, Gifted and Black.

Between The Blossoms and The Glass House there was some controversy. The latter were on Holland-Dozier-Holland’s Invictus Records; the former were ready to sign for the label. The Blossoms — Darlene Love, Fanita James and Jean King — had been one of the great backing bands of the 1960s. Some great Phil Spector productions, such as The Crystal’s “He’s A Rebel”, were recorded by the trio but were credited to others.  By 1972 they were recording with the Dozier and the Holland brothers.

The trouble came when they apparently released The Blossoms’ recording of a great gospel-soul song titled “Touch Me Jesus” (which featured on Saved! Vol. 2) under the Glass House moniker, even though Glass House singer Scherrie Payne (Freda’s sister) sounded nothing like the very recognisable Darlene Love. The Blossoms didn’t sign with Invictus, and — probably still pissed off at the betrayals of Spector — sued H-D-H instead. Don’t let that put you off The Glass House, though — they were excellent.

Jazz fans might be surprised to encounter Leon Thomas here, and, indeed, Thomas was a jazz singer, even singing with Count Basie’s band in the 1960s. But he also dabbled in soul, as he did on 1972’s Blues And The Soulful Truth, which has some soul songs, a few funk numbers, a bit of blues, and some jazz, including a ten-minute avant-garde piece titled “Gypsy Queen”.

Followers of 1990s soul will be interested to learn that the lead singer of The Montclairs was Phil Perry, who in 1991 had a hit with a cover of Aretha’s “Call Me”. Perry was scheduled to play a set of lunchtime jazz at the World Trade Centre on September 11, 2001. Luckily he had not yet arrived when the towers came down, but for years after he was in an artistic depression. With The Montclairs he recorded only one album, 1972’s Dreaming Out Of Season.

As always: CD-R length, covers, PW in comments.

1. The Temptations – What It Is
2. Billy Paul – Am I Black Enough For You?
3. Ann Peebles – How Strong Is A Woman
4. Earth, Wind & Fire – They Don’t See
5. The Dramatics – Thank You For Your Love
6. The Glass House – V.I.P.
7. The Montclairs – Dreaming’s Out Of Season
8. Al Green – What Is This Feeling
9. Aretha Franklin – A Brand New Me
10. Bobby Womack – Woman’s Gotta Have It
11. Bill Withers – Lonely Town, Lonely Street
12. Syreeta – Keep Him Like He Is
13. Leon Thomas – Love Each Other
14. Grady Tate – I Just Wanna Be There
15. Eddie Kendricks – Someday We’ll Have A Better World
16. The Soul Children – Hearsay
17. The Bar Kays – Be Yourself
18. Bobby Patterson – I Get My Groove From You
19. Ollie Nightengale – Here I Am Again
20. The Blossoms – Cherish What Is Dear To You
21. The Supremes – Your Wonderful Sweet Sweet Love
22. Ruby Andrews – You Made A Believer Out Of Me

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Any Major Morning Vol. 2

August 21st, 2014 6 comments

Any Major Morning_2

Last October ago I posted what has turned out to be my favourite mix of 2013, one I have listened to more than any other collection of music, on the theme of mornings. Likewise, I have played the present, second morning mix practically on loop over the past few months. It’s that good, and it is high time I share it with you.

The previous mix simply featured songs with the word “morning” in the title, provided the lyrics were set in the morning. The titles in this lot don’t all include the word “morning”, but they abide broadly by the latter rule. So I disqualify songs like “Touch Me In The Morning” or “Angel Of The Morning” wherein the singer is anticipating behaviours that still lie ahead. I’ve not been steadfast with that rule; the Crash Test Dummies survived it, as did Hall & Oates.

Obviously I have tried to avoid songs that use the idea of “morning” as a metaphor, so no “It’s Morning Britain” by Aztec Camera. And, Faron Young: 4 am is hardly “morning”, chum.

I’m surprised by how few songs there are about that great morning activity: breakfasts. The songs included here are not exactly about croissants and flapjacks (unless those can be applied as euphemisms), though the cute and amusing K’s Choice song sort of is.

As always, the mix is timed to fit on a standard CD-R and includes home-yawned covers (with graphics sourced from the fine morguefile.com site). PW in comments.

1. The Beatles – Good Morning Good Morning (1967)
2. The Pretty Things – She Says Good Morning (1968)
3. Big Star – Watch The Sunrise (1972)
4. Richie Havens – Morning, Morning (1968)
5. Badfinger – Sweet Tuesday Morning (1971)
6. Daryl Hall & John Oates – When The Morning Comes (1973)
7. Neil Diamond – Deep In The Morning (1969)
8. Jimmy James & The Vagabonds – Good Day Sunshine (1968)
9. Chuck Jackson – I Wake Up Crying (1961)
10. The Rascals – A Beautiful Morning (1968)
11. The Monkees – Sometime In The Morning (1967)
12. Dusty Springfield – Breakfast in Bed (1969)
13. Gil Scott-Heron – I Think I’ll Call It Morning (1971)
14. The Bar Kays – Memphis At Sunrise (1972)
15. Bill Withers – Lovely Day (1977)
16. The Partridge Family – I Woke Up In Love This Morning (1971)
17. Glen Campbell – Sunflower (1977)
18. George Strait – Amarillo By Morning (1982)
19. Cowboy Junkies – Sun Comes Up, It’s Tuesday Morning (1990)
20. Crash Test Dummies – Get You In The Morning (1999)
21. The Boo Radleys – Wake Up Boo! (1995)
22. Eels – Saturday Morning (2003)
23. Richard Hawley – As The Dawn Breaks (2009)
24. Billy Bragg & Wilco – Someday Some Morning Sometime (2000)
25. K’s Choice – Breakfast (1993)
26. Norah Jones – Sunrise (2004)

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