Any Major Night Vol. 1

May 19th, 2016 6 comments

Any Major Night

A couple of years ago I posted a couple of mixes on the theme of mornings; I have played Any Major Morning Vol. 1 and Vol. 2 many times, especially in the car. I have also test-driven this mix, on the theme of night.

Obviously there are hundreds more songs one could choose; I hope the reaction to this collection will justify a few more mixes on the theme.

The opening track is one of those songs that could work on more than one Any Major Mix. The Nightfly might have gone on to the Any Major Radio mix, or on to the Any Major Road Trip – Stage 2 mix (with DJ Lester’s greetings to Baton Rouge).

I enjoy the whole mix, but I love especially the sequence from the Lloyd Cole track to that by the excellent Justin Townes Earle which builds up to the great country cover of AC/DC’s You Shook Me All Night Long by The Twang. The German group specialises in covering pop hits in country and bluegrass fashion. It sounds like a novelty thing, and in a way it is. But these covers are not there to be laughed at, even if it is amusing to hear the lyrics to the Village People hit YMCA (“You can hang out with all of them boys”) or the Ramones’ Blitzkrieg Bop set to the sound of country music, and that done well. Some of the covers work better than others — see how you like You Shook Me All Night Long in a Nudie suit.

Two other songs here are covers: Martha Reeves channels the grumpy Ulsterman, while The Dells cover themselves. They first recorded Oh, What A Night as a doo wop number in 1956; featured here is a reworking of the song from 1969, with Marvin Junior still on lead vocals, sharing them with Johnny Carter, who had replaced original co-singer Johnny Funches in 1960. Poor health by Marvin Junior and fellow founding member Chuck Barksdale ended the band’s run of exactly 60 years in 2012. Marvin died a year later at 77.

As always, the mix is timed to fit on a standard CD-R and includes home-dreamt-up covers. PW in comments.

 

1. Donald Fagen – The Nightfly (1982)
2. Little Feat – Walkin’ All Night (1973)
3. Barry Ryan – Loneliest Night of the Year (1972)
4. Paul McCartney – Every Night (1970)
5. Carole King – A Night This Side Of Dying (1974)
6. Lamont Dozier – Let Me Start Tonite (1974)
7. Martha Reeves – Wild Night (1974)
8. The Dells – Oh What A Night (1968)
9. The Walker Brothers – Saddest Night In The World (1966)
10. Sammy Davis Jr. – Night Song (1964)
11. Nancy Sinatra – The City Never Sleeps At Night (1965)
12. Sammi Smith – Help Me Make It Through The Night (1971)
13. Buckingham Nicks – Crying In The Night (1973)
14. Bruce Springsteen – Prove It All Night (1976)
15. Nils Lofgren – Night Fades Away (1981)
16. Everything But The Girl – The Night I Heard Caruso Sing (1988)
17. Missy Higgins – Nightminds (2004)
18. Lloyd Cole – Late Night, Early Town (2003)
19. Richard Hawley – The Nights Are Made For Us (2003)
20. Neil Diamond – Save Me A Saturday Night (2005)
21. Justin Townes Earle – One More Night in Brooklyn (2010)
22. Thompson Square – If It Takes All Night (2011)
23. The Twang – You Shook Me All Night Long (2003)

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Any Major Flute Vol. 2

May 12th, 2016 26 comments

Any Major Flute Vol. 2

The first volume of the flute in pop (rock and soul) was well received. Perhaps there was a gap in the market. So here’s the second volume, with a third one in the works. Thank you to those who have given some very good ideas — in the comments section, on Facebook (become my friend) and elsewhere — seven years ago, when I first posted this, and on the recycled Any Major Flute Vol. 1, which ran in early April. You’ll find some suggestions from the first time around incorporated here, or in Volume 3. I think I will do fourth mix at some point of tracks recommended by readers (in 2016 and 2009). And, yes, I’ve caved and included the Tull. What next? Glockenspiel in rock?.

As ever, CD-R length, home-blown covers. PW in comments.

1. Manfred Mann – Mighty Quinn (1968)
Flutastic Moment: 0:01 Appropriately, the mix kicks off with the flute. What came first, the Mighty Quinn or Come Together?

2. The Coasters – Love Potion No 9 (1970)
Flutastic Moment: 1:38 The flute starts up suddenly and quite frantically as the whole Leiber & Stoller classic goes into funk mode.

3. Canned Heat – Going Up Country (1968)
Flutastic Moment: 0:01 The flute introduces the song until Alan Wilson’s odd counter-tenor vocals begin, making the occasional cameo appearance throughout.

4. Jethro Tull – Up To Me (1971)
Flutastic Moment: 0:02 The Tull giggle as though they are high (surely not!), and the almost percussive flute comes in.

5. Donovan – Sunny Goodge Street (1965)
Flutastic Moment: 1:33 Alas, poor Donovan. History underrates him dreadfully. But hear this and tell me he did not profoundly influence Nick Drake. The flute solo is quite lovely.

6. Minnie Riperton – Light My Fire (1979)
Flutastic Moment: 1:59 The interplay between keyboard and flute is impressive. José Feliciano comes in later to duet on this (superior) cover of his interpretation. One wonders how big Riperton might have been had cancer not claimed her. She had one of the most beautiful, sexiest voices in music, apart from her ability to surf the octaves.

7. Marilyn McCoo & Billy Davis Jr. – You Don’t Have To Be A Star (1976)
Flutastic Moment: 0:04 The flute hook introduces the song by these two former 5th Dimensions, who by then had gone soul.

8. Albert Hammond – It Never Rains In Southern California (1972)
Flutastic Moment:0:08 The brief flute interlude, which recurs at 1:56, sets the scene for the vocals.

9. George Harrison – Dark Horse (1974)
Flutastic Moment: 1:08 The flute is going discreetly in the background until it decides to let its presence felt.

10. Marshall Tucker Band – Take The Highway (1973)
Flutastic Moment: 0:05 The flute drives this song from the start. A flute rock classic.

11. CCS – Whole Lotta Love (1970)
Flutastic Moment: 0:35 The purring flute holds its own against the thumping rhythms in the Collective Consciousness Society’s fantastic cover of boring old Led Zep, which British readers may know better as a theme for Top Of The Pops.

12. The The – Uncertain Smile (1982)
Flutastic Moment: 1:21 I don’t know if The The ever appeared on TOTP. For the flute in this, they (well, he) should have. Hear where Lloyd Cole got his ideas from.

13. Men At Work – Down Under (1981)
Flutastic Moment: 0:03 One of the most famous flute songs in pop, with perhaps the most recognisable flute riff. Men At Work are often seen as a naff ’80s outfit (and written off as — calumny! — a one-hit wonder). They were fronted by Colin Hay, who is not in any way naff. And his recent letter of advice to the ghastly Ted Cruz was quite satisfying.

14. Saint Etienne Nothing Can Stop Us (1991)
Flutastic Moment: 1:17 The whole thing is a chilled-out house thing, but when the flute comes in, the song gets soul.

15. Esther Williams – Last Night Changed It All (1976)
Flutastic Moment: 0:30 Dance music in the mid-’70s made great use of flute hooks (and, yes, The Hustle will feature in Volume 3). What a groove!

16. The Chiffons – Just For Tonight (1968)
Flutastic Moment: 1:14 The alto flute solo gives the latter-day girl-band a whole new sound.

17. Marvin Gaye – Stubborn Kind Of Fellow (1962)
Flute Moment: 1:04 But the flute solo also did a fine job in early Motown.

18. Love – Orange Skies (1966)
Flutastic Moment: 0:31 The flute comes in to echo and emphasise the singers declaration of love. When he sings about how happy he is, the flute responds as if it was a cartoon bird. It’s like Mary Poppins for love-struck hippies.

19. Chicago – Color My World (1970)
Flutastic Moment: 1:54 Damn, Chicago were good before the group was hijacked by the extravagantly coiffured Peter Cetera. The flute solo takes a long time coming, but when it arrives, it is quite beautiful and it sees out the remaining minute of the song.

20. The Guess Who – Undun (1969)
Flutastic Moment: 2:15 The Guess Who might have given English teachers nightmares, but they knew how to use a flute to good, albeit far too brief, effect.

21. Lou Reed – Sad Song (1973)
Flutastic Moment: 0:01 Is the flautist trying to get to the melody of Somewhere Over The Rainbow?

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In Memoriam – April 2016

May 5th, 2016 9 comments

This year is a real bastard; in my years of doing this monthly round-up I cannot remember a sequence of months in which the Grim Reaper picked off fixtures in my music collection at such a relentless rate. At this point I fear for Stevie Wonder, Kris Kristofferson, Van Morrison, Donald Fagen, Burt Bacharach, Frankie Beverley, Hal Blaine and all four members of ABBA.IM0416_gallery_1In the great 1980s battle between Michael Jackson and Prince (who were born just 73 days apart), I was a cheerleader for the latter. Don’t misunderstand, Jackson was immense, and I’ll sooner listen to Off The Wall than to any Prince album (on the other hand, Purple Rain easily trumps Thriller, as I showed HERE). But Prince wrote his own songs (and for others), arranged them, played on them, was a fine dancer and great showman, and he played the guitar so beautifully. And he had something to say. Prince was a genius, and if he had not been so obsessed with hunting down the use of his music on blogs and YouTube, he’d feature heavily on Any Major collections.

April didn’t claim not one but two absolute legends: Prince, but also Merle Haggard, one of the true country giants. Merle was outlaw before Outlaw Country was a thing. In fact, he was a real outlaw in his younger days, and his life of robbery and larceny ended with him locked up at San Quentin prison, near San Francisco. Even in jail, Haggard was a troublemaker — until the day when Johnny Cash played one of concerts there (not his first one there in 1958, as is often written, but one of those he did in 1959 and 1960). Watching Cash — and having had a few other formative experiences before that — Merle decided to go on to the straight and narrow and finally make it in the music business. Which he did. Merle Haggard died of pneumonia on his 79th birthday. It’s not right that people should die on their birthday.

Controversy followed the gifted Philly soul singer Billy Paul, who had a massive hit in 1972 with Me And Mrs Jones. Against his express wishes, his label, PIR, released as the follow-up the provocative Am I Black Enough For You (Paul wanted the milder Brown Baby as the follow-up). It was indeed the second-best track on the 360 Degrees Of Billy Paul album, but predictably the white pop stations weren’t ready for a black consciousness song by a soul crooner. The episode sabotaged Billy Paul’s career, some first-class releases notwithstanding. More controversy hit the singer in 1975 with the gorgeous Let’s Make A Baby when the Rev Jesse Jackson and his Operation PUSH campaigned for a boycott of the song on grounds of its supposed lewdness (the good reverend seemed to have been unaware by what act babies are made). A year later, Billy Paul’s wonderful cover of Paul McCartney’s Let ’Em In caused some controversy, and also earned effusive praise, for its name-checks of deceased black leaders such as Malcolm X, Martin Luther King, Elijah Muhammad, Medgar Evers and Louis Armstrong.

On the same day the master guitarist Prince died, one of the men who pioneered rock guitar playing, especially in the blues-rock field that was the domain of the likes of Eric Clapton and Jeff Beck and Duane Allman, passed away. Lonnie Mack’s 1963 instrumentals such as Wham! and Memphis have been acclaimed as being milestones in the development of rock music, particularly the nascent blues-infused rock guitar solo. Mack was also a great soul singer, but when R&B stations discovered that he was white, they stopped playing his records. He returned in the 1970s as a country singer before reverting to blues-rock, recording with the likes of Stevie Ray Vaughan.IM0416_gallery_2Congolese soukos singer Papa Wemba, who has died at 66, was one of Africa’s most popular musicians, and a favourite also in the World Music market. He was a star in Africa almost as much for his dandyish sartorial style as he was for his marvellous music. But the life of the man born Jules Shungu Wembadio Kikumba was not universally admirable. In 2003 he was convicted of being part of a network that smuggled immigrants from the Democratic Republic of Congo (née Zaire), and was imprisoned for three months in France. He later said that the experience changed him. It was not his first time in prison. In 1976 Papa Wemba, already a star, was briefly incarcerated on grounds of a suspected relationship with the daughter of a general from dictator Mobutu Sese Seko’s army. Wemba died on stage while playing a concert in Abidjan, Cote d’Ivoire.

Session drummer Dennis Davis is probably best known for having backed David Bowie during the period of Young Americans to Scary Monsters, and after that also on stage. You hear Davis on Bowie classics like Heroes, Golden Years, Ashes To Ashes and Fashion. But my pick of tracks on which Davis drummed is Stevie Wonder’s marvellous Do I Do (one of the last really great Wonder songs). Among other Wonder tracks, he also drummed on Master Blaster. Davis also backed acts like Luther Vandross, Roy Ayers, Zulema, George Benson, Jermaine Jackson, Garland Jeffreys, Smokey Robinson, Webster Lewis and more.

The trumpet of Harrison Calloway has fallen silent. Calloway was the leader of the Muscle Shgoal Horns which can be heard on a huge amount of soul records and other tracks cut at the Muscle Shoals studio, including by acts like Bob Dylan, Jim Capaldi, Paul Simon and Rod Stewart, and also on Elton John’s 1975 performances with John Lennon.  IM0416_gallery_3The gloriously named Jack Hammer (real name Earl Burroughs) is most famous for co-writing a song he didn’t write. As a performer and songwriter he had enjoyed some success in the early 1950s, but when he brought his new song Great Balls Of Fire to songwriter Paul Case, the latter didn’t like it. He did, however, like the title and commissioned Otis Blackwell to write a song by that title for a film called Jamboree. In a rare outburst of ethics in the 1950s music industry, Hammer received half of the songwriting credit for coming up with the title for what would become one of the great rock & roll classics. Hammer kept writing and recording, and in the early 1960s moved to Europe where he had a huge hit with his song Kissin’ Twist and earned the title The Twistin’ King, after his 1961 single of that name, for his dance moves.

Emile Ford, who has died at 78, was the first black musician to sell a million copies of a single in Britain with his 1958 hit What Do You Want To Make Those Eyes At Me For. Born on the Caribbean island of St Lucia, he came to Britain in the mid-’50s, more with a view to being a sound engineer than a recording artist. Still, with his Checkmates he scored a few hits. At the same time he developed a backing track system for stage shows, which formed the basis for what would become karaoke.

The rise of Rock ‘n’ Roll depended to a great degree on the rhythm section: the bass and the drum. But drums were expensive and not easy to get because the drumheads were made of animal hides, usually from calves. The advent of synthetic drumheads changed that — and the developer of the first commercially viable synthetic drumheads, Remo Belli, has died at 88.

 

Mike Gibbons, 71, lead singer of Canadian group Bo Donaldson & the Heywoods, on April 2
Bo Donaldson & the Heywoods – Who Do You Think You Are (1974)

Gato Barbieri, 83, Argentine free jazz saxophonist, on April 2

Bill Henderson, 90, jazz singer and actor, on April 3
Bill Henderson with the Oscar Peterson Trio – At Long Last Love (1963)

Don Francks, 84, Canadian jazz singer and actor, on April 3

Kōji Wada, 42, Japanese singer, on April 3

Carlo Mastrangelo, 78, bass and lead singer with The Belmonts, on April 4
The Belmonts – Come On Little Angel (1963)
Carlo – Fever (1970)

Dorothy Schwartz, 89, singer with The Chordettes (1946-52), on April 4
The Chordettes – Moonlight On The Ganges (1951)

Getatchew Mekurya, 81, Ethiopian jazz saxophonist, on April 4

Leon Haywood, 74, soul singer, on April 5
Leon Haywood – Don’t Push It Don’t Force It (1980)

Merle Haggard, 79, country singer-songwriter, on April 6
Merle Haggard & The Strangers – The Son Of Hickory Holler’s Tramp (1968)
Merle Haggard & The Strangers – If We Never Meet Again (1971)
Merle Haggard & The Strangers – Always Wanting You (1975)
Merle Haggard – My Life’s Been Grand (1986)
Merle Haggard – I Am What I Am (2010)

Dennis Davis, session drummer, on April 6
Roy Ayers Ubiquity – Brother Louie (1973, on drums & percussion)
David Bowie – Breaking Glass (1977, on drums, also as co-writer)
Stevie Wonder – Do I Do (1982, on drums)

Jimmie Van Zant, 59, rock musician, on April 7

Jade Lemons, member of hard rock group Injected, on April 7

Jack Hammer, 90, musician and songwriter, on April 8
The Cadillacs – Peek-A-Boo (1958, as writer)
Jack Hammer – Kissin’ Twist (1962)

Emile Ford, 78, Saint Lucia-born pop singer and sound engineer, on April 11
Emile Ford – Them There Eyes (1960)

Mike Lazo, 83, lead singer of The Tempos, on April 12
The Tempos – See You In September (1959)

Gib Guilbeau, 78, songwriter, singer, guitarist and fiddler, on April 12
The Flying Burrito Brothers – Wind And Rain (1975, also as co-writer)

Robbie Brennan, Irish rock drummer, on April 12
Townes Van Zandt – A Song For (1994, on drums)

Ismael Quintana, 78, Puerto Rican salsa singer and composer, on April 16

Pete Zorn, 65, multi-instrumentalist musician, on April 19
Richard & Linda Thompson – Shoot Out The Lights (1982, on bass)

Richard Lyons, 57, member of experimental rock group Negativland, on April 19

Prince, 57, music genius, on April 21
I Feel For You (1979)
Sometimes It Snows In April (1986)
Starfish And Coffee (1987)
The Most Beautiful Girl In The World (1994)
Reflection (2004)

Lonnie Mack, 74, singer and guitar pioneer, on April 21
Lonnie Mack – Wham! (1963)
Lonnie Mack – Why (1963, released 1968)
Lonnie Mack ‎- Too Rock For Country, Too Country For Rock And Roll (1988)

Bill Sevesi, 92, Tongan-born New Zealand musician, on April 23

Billy Paul, 81, soul singer, on April 24
Billy Paul – Ebony Woman (1970)
Billy Paul – Am I Black Enough For You (1972)
Billy Paul – Let’s Make A Baby (1975)

Papa Wemba, 66, Congolese singer, on April 24
Papa Wemba – Le Voyageur (1992)

Remo Belli, 88, drummer, developer of the synthetic drumhead, on April 25

Wolfgang Rohde, 66, drummer of German rock band Die Toten Hosen, on April 25
Die Toten Hosen – Pushed Again (1998)

Philip Kives, 87, Canadian founder of K-tel records, on April 27

Harrison Calloway, 75, trumpeter and leader of the Muscle Shoals Horns, on April 30
Clarence Carter – Patches (1970)
Muscle Shoals Horns – Open Up Your Heart (1976)

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hn Lennon.

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Prince is your DJ

April 28th, 2016 8 comments

Prince is your DJ

Dig, if you will, a party… with Prince as the DJ.  This playlist was compiled by Prince himself — and seeing as I had most of the songs on it already, I put it together in one mix.

The background to this playlist is the TV sitcom New Girl. According to Steve Welch, an editor on the show, “[w]hen Prince was on New Girl the storyline was that our characters got to attend a party at his house. To that end, he sent us a playlist of songs he would actually play at his parties.”

It would have been a great party; Prince was channeling the 1970s, the period of his formative influences — and in some tracks one can hear the influences on his music. There’s some serious funkin’ going on, but that sequence of slow jams…ooh, babymaking music!

Prince DJ playlist

One must assume that Prince was adept at turning records over at one hell of a speed: the two Spinners songs on his list are from the same album, but are on different sides. Unless Prince was working from MP3s, the side-flipping would have required some dexterity.

The playlist exists also somewhere on Spotify, a service I’ve never used.

Because Prince’s party goes on longer than a standard 80 minutes — he’s giving us 97 minutes of joy — the mix won’t fit on as standard CD-R (and therefore no home-grooved covers). PW in comments.

If you didn’t come to party, don’t bother knockin’ on my door.

1. The Staple Singers – City In The Sky (1974)
2. Allen Toussaint – Country John (1975)
3. Ohio Players – Fire (1974)
4. Shuggie Otis – Happy House (1974)
5. Stevie Wonder – Higher Ground (1973)
6. Chaka Khan – I Was Made To Love Him (1978)
7. The Isley Brothers – Listen To The Music (1973)
8. Eugene McDaniels – The Lord Is Back (1971)
9. Sister Sledge – Lost In Music (1979)
10. Bootsy Collins – The Pinocchio Theory (1977)
11. Bootsy Collins – Rubber Duckie (1977)
12. Parliament – Rumpofsteelskin (1978)
13. Ohio Players – Skin Tight (1974)
14. The Soul Children – We’re Gettin’ Too Close (1974)
15. Curtis Mayfield – Wild And Free (1970)
16. Earth, Wind & Fire – After The Love Has Gone (1979)
17. Allen Toussaint – Back In Baby’s Arms (1975)
18. The Isley Brothers – Don’t Let Me Be Lonely Tonight (1973)
19. The Soul Children – Don’t Take My Sunshine (1972)
20. The Spinners – How Could I Let You Get Away (1973)
21. The Spinners – I’ll Be Around (1973)
22. The Jacksons – Push Me Away (1978)
23. Shirley Brown – Stay With Me Baby (1974)
24. Aretha Franklin – The Thrill Is Gone (From Yesterday’s Kiss) (1970)

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Thriller vs Purple Rain

April 22nd, 2016 13 comments

Tonight I’ve had Thriller square up to Purple Rain, track vs track. The best-selling album of all time versus the most perfect pop album of the decade. It’s an unfair contest.

 

thriller

 

Wanna Be Startin’ Somethin’ vs Let’s Go Crazy
Great opener by Michael is blown out of the water by a work of great innovation and energy. There are a couple of songs on Purple Rain which Wanna Be Startin’ Somethin’ might have beaten, but not Let’s Go Crazy. 0-1

 

purple rain

 

Baby Be Mine vs Take Me With U
MJ delivers a decent filler track that is competently produced. Prince wins this already in the intro with those great drums; and then those strings later in the song. No contest. 0-2

 

thriller-back

 

The Girl Is Mine vs The Beautiful Ones
Michael sings this like a nursery rhyme and climaxes with the “I’m a lover not a fighter” line while he “argues” with Macca. Prince goes falsetto on our asses and then climaxes with that explosion of emotion. Emphatically Prince’s point. 0-3

 

purple rain-back

 

Thriller vs Computer Blue
Jackson’s excellent title track meets Purple Rain‘s least strong track (still, Computer Blue’s guitars!). Point Jacko. 1-3

 

thriller-label

 

Beat It vs Darling Nikki
I love Darling Nikki (and how it sent Tipper Gore over the edge), but Eddie Van Halen’s guitar solo… With a heavy heart, I give it to Beat It. 2-3

 

purple rain-label1

 

Billie Jean vs When Doves Cry
The heavyweight clash, and it’s a no brainer. Billie Jean gives us dancability; When Doves Cry gives us layers and layers of genius. 2-4

 

thriller-label2

 

Human Nature vs I Would Die 4 U
I love Human Nature dearly, but I Would Die 4 U is so utterly joyous. Plus, I have the mental image of Prince’s hand actions and that beatific smile when he performs the song in the film. 2-5

 

purple rain-label1

 

P.Y.T. vs Baby I’m A Star
Oh so easy. If Baby I’m A Star doesn’t get you moving, you might as well check yourself into a mortuary. 2-6

 

purple rain-inner sleeve

 

The Lady In My Life vs Purple Rain
It’s like Brazil against Germany in a World Cup semi-final. Almost fittingly, the final score is 2-7

In fairness, I expect Off The Wall would beat Dirty Mind or Controversy handily. But then, Sign ‘O The Times would utterly destroy Bad

And as we are thinking of Prince, may I direct you to the warmest tribute I’ve read, by the British music journalist Simon Price on The Quietus.

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Any Major Soul 1974 – Vol. 2

April 21st, 2016 5 comments

ams1974-2

The second volume of Any Major Soul 1974 is long overdue; Volume 1 ran in September. I still enjoy listening to the first part, and think that the second mix is very much its equal.

This mix has Stevie Wonder’s handprints all over it: he features with a track from his Fulfillingness First Finale album, and he wrote the tracks by Syreeta (by then his ex-wife) and Minnie Riperton.

You might remember The Soul Survivors as a ’60s soul band, especially for their excellent 1969 hit Expressway To Your Heart (Gamble & Huff’s first hit), but here we find the Philly outfit in 1974. Their self-titled LP that year was also their swanswong, other than two singles that followed in 1975 and ’76, which is a shame because one feels they still had something to offer. The founder members later reformed to perform, but never released another record.

Also holding out from the 1960s in this mix is Lou Courtney, who featured on Any Major Soul 1967. And that is exactly the gap between his first two albums, though Courtney released several singles along the way. Only one more LP would follow, in 1976. From 1978-79 he was a member of The 5th Dimension, but his greater success has been in songwriting, arranging and production — fields in which he worked before, during and after his recording career — collaborating with the likes of The Main Ingredient, Ben E King and Bonnie Raitt. His most famous writing credit probably is the hit Do The Freddie for Freddie and the Dreamers, which he co-wrote with the songwriter-producer Dennis Lambert.

The most obscure act here is The Street People about whom I’ve been unable to unearth any useful information. The second-most obscure singer must be Louise Freeman. A couple of singles in 1974, the second of which provided the b-side featured here, another single in 1977, and a couple of sides in the 1980s — and that’s it.

Sandra Wright also should be more famous. A gifted singer, and cousin of the blues great Memphis Slim, she had the misfortune of recording her opus just as the record company which was going to market it, Stax (through the Truth subsidiary, which had just made a hit of Shirley Brown’s Woman To Woman album), went bust. That 1974 album, Wounded Woman, is one of the finest soul LPs of 1974 — but nobody heard it. A couple of singles were released before Stax folded, and with that the yet to be released album sunk into obscurity. It was finally released in 1989 by the British Demon label and finally found an appreciative audience. Wright continued to perform, mostly as a blues singer, but never attained the stardom that Wounded Woman should have brought her. She died in 2010 at the young age of 61.

The soul experts might raise their hand at the inclusion of the Sam Dees song, pointing out that his The Show Must Go On LP came out only in 1975. But the song Worn Out Broken Heart came out first as a single in 1974.

As ever, CD-R timed, covers, PW in comments.

1. The Blackbyrds – Walking In Rhythm
2. The Persuaders – Hold On (Just A Little Bit Longer)
3. Moments & Whatnauts – Girls
4. The Street People – Baby You Got It All
5. Syreeta – I’m Goin’ Left
6. New York City – I’ve Had Enough
7. The Hues Corporation – How I Wish We Could Do It Again
8. Willie Hutch – Try It, You’ll Like It
9. Sandra Wright – I’ll See You Through (I’ll Be Your Shelter)
10. Bobby Bland – Ain’t No Love In The Heart Of The City
11. Laura Lee – We’ve Come Too Far Too Walk Away
12. Millie Jackson – It’s All Over But The Shouting
13. Lou Courtney – I Don’t Need Nobody Else
14. The Soul Survivors – What It Takes
15. The Tymes – Someway, Somehow I’m Keepin’ You
16. The Delfonics – I Don’t Want To Make You Wait
17. Sam Dees – Worn Out Broken Heart
18. Minnie Riperton – Take A Little Trip
19. LaBelle – Nightbird
20. Louise Freeman – How Could You Run Away
21. Stevie Wonder – It Ain’t No Use
22. The Natural Four – Can This Be Real
23. Chairmen Of The Board – Finders Keepers

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Any Major American Road Trip – 2

April 14th, 2016 8 comments

Any Major American Road Trip 2

We are now starting the second leg of our road trip: a musical journey that takes us from the East Coast to the West Coast and back east, beginning in Boston and ending in Miami. The itinerary may be zig-zagging a bit, but the rules are that it must be at least notionally plausible.

The first leg took us from Boston via New York State south to North Carolina, leaving us in Charlotte. We now make our way to Atlanta with a song by the blues great Freddie King.

After visiting Birmingham (a city still famous for all the wrong reasons) we stop over, by way of a detour, in Tuscaloosa. The town is not mentioned by name in the Steely Dan song, but it is home to the University of Alabama, whose American football team is the Crimson Tide, “the name for the winners in the world” that stands in contrast to the name for losers which the Dan are proposing: Deacon Blues. (Tuscaloosa does get a name-check in the Randy Newman song though).

Musically significant cities get more than one song, and here it is New Orleans getting some extra love with songs by two of the Big Easy’s favourite sons: Fats Domino and Dr John. From there we go to Baton Rouge — a city I associate more with Kennedy O’Toole’s great novel The Confederacy of Dunces than with music — in a Tom Petty song.

Any Major American Road Trip - Stage 2 map

After a trip to Lafayette, we leave Louisiana for Texas, where we will stay for the rest of this leg. Texas is pretty big, but still I was surprised to find so many songs there. Most of the titles are self-evident, though not all. Patty Loveless’ The Night’s Too Long is set in Beaumont, but not for long, for the waitress of the song wants to get out. Ben Kweller in his song refers to Dallas, but it seems he got out of there already (I might have gone with Kweller to the hideously named Commerce, Tx, if I wanted to go there. But I did not.).

On the other hand, Lee Hazlewood is going back to Houston, while Waylon Jennings is proposing to go to Luckenbach with himself and Willie and the boys, and George Hamilton IV wishes to return to Abilene, the town with the prettiest name in this mix. And the closing song is called Texas In My Rear View Mirror, a song about getting out of Lubbock, whose only, but not unsubstantial, claim to fame is being Buddy Holly’s home town. But, Lubbock fans, take heart: Mac Davis does not really mean it when he says he wants escape Texas.

There is an obvious bonus track here: All My Ex’s Live In Texas, sung here not by George Strait, who is already representing Fort Worth (the Texan city which became famous due to the frequent references of Clayton visiting it in the TV soap Dallas) but in the original version by Whitey Shafer.

The final song might promise that we’re leaving Texas in our rear view mirror, but the third leg of our road trip will begin still in Texas, and we will return one more time after doing New Mexico before we travel via Arizona to California.

As always, the mix is timed to fit on a standard CD-R (without the bonus track) and includes home-pardnered covers. PW in comments.

1. Freddie King – I’m On My Way To Atlanta (1962 – Atlanta, GA)
2. Randy Newman – Birmingham (1973, Birmingham – AL)
3. Steely Dan – Deacon Blues (1977 – Tuscaloosa, AL)
4. John Prine – Angel From Montgomery (1971 – Montgomery, AL)
5. Mickey Newbury – Mobile Blue (1973 – Mobile, AL)
6. Jesse Winchester – Biloxi (1970 – Biloxi, MS)
7. Fats Domino – I’m Walking To New Orleans (1960 – New Orleans, LA)
8. Dr. John & Chris Barber – Big Bass Drum (On A Mardi Gras Day) (1990 – New Orleans, LA)
9. Tom Petty and The Heartbreakers – Louisiana Rain (1979 – Baton Rouge, LA)
10. Lucinda Williams – Lafayette (1980 – Lafayette, LA)
11. Patty Loveless – The Night’s Too Long (1990 – Beaumont, TX)
12. Lee Hazlewood – Houston (1967 – Houston, TX)
13. Glen Campbell – Galveston (1969 – Galveston, TX)
14. Bob Wills and his Texas Playboys – New San Antonio Rose (1940 – San Antonio, TX)
15. Waylon Jennings – Luckenbach, Texas (Back To The Basics Of Love) (1977 – Luckenbach, TX)
16. Stevie Ray Vaughan – Texas Flood (1983 – Austin, TX)
17. Ben Kweller – Falling (2002 – Dallas, TX)
18. George Strait – Does Forth Worth Ever Cross Your Mind (1984 – Dallas/Fort Worth, TX)
19. George Hamilton IV – Abilene (1963 – Abilene, TX)
20. Mac Davis – Texas In My Rear View Mirror (1980 – Lubbock, TX)
Bonus: Whitey Shafer – All My Ex’s Live In Texas (1987 – Abilene, Galveston, Texarkana, TX)

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Any Major Flute Vol. 1

April 6th, 2016 33 comments

A reader asked nicely whether I might re-up the Any Major Flute series. Over the next couple of months, I will do just that, leaving the format unchanged from when I first posted it seven years ago. But now I’m including home-blown covers. Like this one:

Any Major Flute-1

I may have mentioned once or twice that if a song features a bit of flute, I’ll like it. So it seems to me that mix celebrating the flute in pop is necessary and desirable. I know that some people hate the idea of flute in rock — perhaps this mix will disabuse them of such odd notions. Should one or the song feature a piccolo or recorder instead of the flute, please enjoy the respite and don’t shout at me. If this mix is popular enough, I’ll put together a second mix of songs I’ve held back. And, look Ma, no Jethro Tull!
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1. Gil Scott-Heron & Brian Jackson – Winter in America (1974)
Flute Moment: 3:57 – Gil goes “stick”, and Brian lets rip with his flute.

2. Baby Huey – California Dreamin’ (1971)
Flute Moment: 2:10 – After the flute does it alone for the long intro, the instrumental party kicks off.

3. Josh Rouse – James (2003)
Flute Moment: 2:47 – Rouse captures the sound of 1972, as the album title promises, when the flute goes into a conversation with the guitar.

4. Bobby Bland – Ain’t No Love In the Heart Of The City (1974)
Flute Moment: 2:06 & 3:22 – Listen closely or you’ll miss it.

5. Eddie Rabbitt – Suspicions (1979)
Flute Moment: 2:14 – Hail the flute solo

6. Carpenters – Road One (1972)
Flute Moment: 2:14 – Spookily, the flute solo here commences at the same time as that in Suspicion.

7. MJ – I Wanna Be Where You Are (1972)
Flute Moment: 1:47 – The flute backs young Michael funkily, and then gets its solo spot.

8. Blackbyrds – Walking In Rhythm (1974)
Flute Moment: 1:55 – Flute solo in rhythm.

9. The Mamas & the Papas – Creeque Alley (1967)
Flute Moment: 2:23 – Like the Carpenters, The Mamas & The Papas liked a bit of flute.

10. Frank Sinatra with Count Basie – Fly Me To The Moon (1966)
Flute Moment:0:35 – You don’t really expect to hear the flute in Sinatra’s music. In this live recording, Count Basie gives this standard a flute signature.

11. David Bowie – Moonage Daydream (1972)
Flute Moment: 1:54 – Bowie goes all Jethro Tull on us for a minute.

12. Cardigans – Sick & Tired (1994)
Flute Moment: 0:02 – The background flute never leaves us.

13. Van M. – Everyone (1970)
Flute Moment: 1:48 – After being with us throughout, the flute gets a 30-second solo.

14. Traffic – John Barleycorn (1970)
Flute Moment: 1:07 – The prog rock flute classic that’s not by Jethro Tull.

15. Carole King – So Far Away (1971)
Flute Moment: 3:16 – Carole gamely resisted the urge to include the flute for much of the song.

16. Simon & Garfunkel – So Long, Frank Lloyd Wright (1970)
Flute Moment: 1:18 – The flute takes the lead, accompanied by acoustic guitar, strings and percussion.

17. The Beatles – You’ve Got To Hide Your Love Away (1965)
Flute Moment:1:47 – The flute sees out my favourite Beatles song.

18. The Beach Boys – Feel Flows (1971)
Flute Moment: 1:44 – Aah, there’s the flute.

19. Beastie Boys – Sure Shot (1994)
Flute Moment: 0:01 – The cool flute hook stays with us through almost all of the song.

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In Memoriam – March 2016

April 4th, 2016 5 comments

After a little respite in February, the Grim Reaper was very busy in March. Sadly, a full third of the 42 listed deaths were of people under the age of 60.

IM0316-gallery1Everything important has been said of George Martin, who has died at 90. It might merit emphasising that Martin was to The Beatles as a good professor is to the student whom he (or, indeed, she) guides from freshman  to doctorate. At first he was instructive, exercising his authority to have Pete Best dismissed; though The Beatles rightly baulked at his insistence that they should release How Do You Do It, a song they didn’t write, as a single. They did record it (halfheartedly, as we can hear on the featured track), but it instead became a UK #1 for Gerry and the Pacemakers—and was knocked off the top spot by the much bigger Beatles hit, From Me To You. From being the teacher figure Martin grew to be the facilitator and guide in the group’s rapid development from very good pop combo to genius innovators. Without Martin, the story of The Beatles, and that of pop music, might have been quite different.

George Martin will always be associated with The Beatles, of course, but he had his hand in many other pop classics. He produced a string of 1960s hits for the other Liverpudlian legends, Gerry & the Pacemakers and Cilla Black, as well as for Matt Munro and Billy J. Kramer. Later he produced such hits as Wings’ Live And Let Die, America’s Sister Golden Hair, Tin Man and Lonely People, Little River Band’s The Night Owls, Kenny Rogers’ Morning Desire, as well as many 1980s McCartney tracks (Say Say Say, Ebony and Ivory, No More Lonely Nights, Pipes Of Peace, We All Stand Together etc). Others whom he produced included Jeff Beck, Shirley Bassey, Stan Getz, Cleo Laine, Neil Sedaka, Jimmy Webb, Cheap Trick, Billy Preston, Mahavishnu Orchestra, José Carreras, Celine Dion, and Kate Bush. Alas, he was also co-responsible for that mawkish abomination that was Elton John’s Candle In The Wind 1997.

In the early 1990s, before hip hop became dominated by blinging, car-bouncing, Hennessy-quaffing, cap-in-yo-ass-bustin’ gangsta misogyny (at least at its platinum-selling levels), rappers had success talking about actual social issues, carrying the mantle of Gil Scott-Heron. One such group was A Tribe Called Quest, whose “Five Foot Assassin”, Phyfe Dawg, has died at 45 from complications relating to diabetes, which had previously required two kidney transplants.  With acts like De La Soul and the Jungle Brothers, A Tribe Called Quest exercised a profound influence on hip hop artists like Common, The Roots and, when he does have something to say that isn’t mad or self-aggrandising, Kanye West.

You’ll probably know Thunderclap Newman’s 1969 hit Something In The Air, a call for revolution when that ship had already sailed. But do you remember that glorious piano break that kicks in at 2:00 minutes and goes on for close to a minute. That was played by Andy Newman, who has died at 73. It was his nickname and surname that gave the band its name after it was founded as a side project by The Who’s Pete Townshend (who under a pseudonym played bass on that mega hit). Townshend’s game was kindness: he wanted to give Newman and singer-guitarist Speedy Keen a showcase for their talents. Also in the band was Jimmy McCulloch, who went on to join Paul McCartney’s Wings before his death in 1979. Keen died in 2002. Besides the Jimi Hendrix Experience, Thunderclap Newman is the only classic ‘60s rock act I can think of whose official line-up is now all dead.  Thunderclap Newman recorded one album; Newman released a solo album in 1971.

Children of famous people have it easier to get through a door than random hopefuls, but few manage to emulate the success of their famous parent. So it was with Frank Sinatra Jr, who has died suddenly at 72. There is no doubt that Frank Jr had talent, but if you are going to have as Sinatra, you’ll go for Senior, or older sister Nancy, who followed her own musical path. Frank Jr acquired some fame by being a victim of a kidnapping in December 1963 (Frank Sr paid up to have his son released).

IM0316-gallery2Another pioneer of the Outlaw movement in country music — the sub-genre that counted among its heroes the likes of Waylon Jennings, Willie Nelson, Hank Williams Jr, Kris Kristofferson and Tompall Glaser — has fallen in the form of Steve Young, who is probably best known as the writer and original performer of the Eagles hit Seven Bridges Road. He also wrote and first performed the Waylon Jennings hit Lonesome On’ry and Mean and Montgomery In the Rain by Hank Williams Jr.

If you played at the age of 18 with Gene Krupa, you probably had some talent. Jazz trumpeter and later bandleader Joe Cabot made his mark with Krupa in 1939. He went on to play in the orchestras of people like Tommy Dorsey and Artie Shaw, and played with the likes of Dizzy Gillespie, Gerry Mulligan, Oscar Peterson, Stan Getz and his close friend Harry James. He backed artists such as Bobby Darrin (including on Mack The Knife and Beyond The Sea), Anita O’Day, Tony Bennett, Ruth Brown, Chris Connor and Eartha Kitt. (Alas, I could find no photo of the man.)

Patty Duke is obviously remembered as an actress of some skill who as a teenager won an Oscar for The Miracle Worker and later played identical twins on the TV sitcom named after her (I could never understand how TV execs expected viewers to suspend disbelief when they titled sitcoms after the lead actor, but obviously the ploy worked). What is not widely known is that Duke released four LPs in the mid-1960s, charting in the US with Don’t Just Stand There” (#8) and Say Something Funny (#22). In 1982 Duke was diagnosed as a bipolar depressive, and went on to become an activist around mental health issues — an matter that still needs further activism.

Every suicide is a tragedy; most of them are the result of an illness. Much as people die involuntarily of cancer, some people die involuntarily of mental illness. So, while it is shocking when a famous person, especially a rock legend, “commits” suicide, we should not state our head-shaking disbelief but use that as an occasion to understand the nature of mental illness and suicide, and to raise awareness about it in order to destigmatise it. Apparently Keith Emerson’s suicide was triggered by depression, brought on by health concerns and exacerbated by alcohol. May he be at rest now. In the meantime we remember Emerson as a supremely talented and influential keyboardist, and by all accounts a very nice man. Emerson, Lake & Palmer were hate figures for the prog-rock hating punks, led by the polemic of Johnny Rotten, who’d single out EPL for his spleen-venting. Later Emerson and John Lydon (the erstwhile Rotten) became neighbours in Hollywood — and good friends.

 graveyard at night

Gayle McCormick, 67, singer of blues-rock band Smith, on March 1
Smith – Baby, It’s You (1969, on lead vocals)

John Thomas, 63, guitarist with Welsh hard rock band Budgie, on March 3
Budgie – I Turned To Stone (1981, also as co-writer)

Brian Gallagher, 52, multi-instrumentalist with Greazy Meal and Prince, on March 3
Enthusiastic invoker of DMCA – Sexy MF (1990, on guitar)

Joey Feek, 40, singer with country duo Joey + Rory, on March 4
Joey + Rory – To Say Goodbye (2008)

Bankroll Fresh, 28, rapper, shot on March 4

Aaron Huffman, 43, bassist with rock band Harvey Danger, on March 6
Harvey Danger – Flagpole Sitta (1997)

Timothy Makaya, 67, Nigerian jazz guitarist, on March 7

Joe Cabot, 94, jazz musician and band leader, on March 7
Bobby Darin – Beyond The Sea (1959, on trumpet)
Chris Connor – Come Rain Or Come Shine (1959, on trumpet)

Bruce Geduldig, 63, experimental synth musician and filmmaker, on March 7

George Martin, 90, English record producer, composer, arranger and engineer, on March 8
Peter Sellers & Sophia Loren – Goodness Gracious Me (1960)
The Beatles – How Do You Do It (1963)
David & Jonathan – Softly Whispering I Love You (1967)
America – Sister Golden Hair (1975)
Ultravox – Hymn (1983)
Hayley Westenra – Beat Of Your Heart (2003)

Ross Hannaford, 65, guitarist of Australian rock band Daddy Cool, on March 8
Daddy Cool – Eagle Rock (1971)

Andrew Loomis, 54, drummer of rock band Dead Moon, on March 8
Dead Moon – Black September (1989)

Naná Vasconcelos, 71, Brazilian jazz percussionist and singer, on March 9
Talking Heads – Perfect World (1985, on water drum)
Naná Vasconcelos – Futebol (2002)

Léon Francioli, 69, Swiss jazz bassist, on March 9

Ray Griff, 75, Canadian country singer and songwriter, on March 9
George Hamilton IV – Canadian Pacific (1969, as writer)

Jon English, 66, English-born Australian singer and actor, on March 9

Keith Emerson, 71, English rock keyboardist (The Nice; Emerson, Lake & Palmer), of suicide on March 10
The Nice – Diary Of An Empty Day (1969)
Emerson, Lake & Palmer – Fanfare For The Common Man (1974)

Gogi Grant, 91, pop and musicals singer, on March 10
Gogi Grant – The Wayward Wind (1956)

Ernestine Anderson, 87, American jazz singer, on March 10
Ernestine Anderson – Welcome To The Club (1959)

Louis Meyers, 60, co-founder of South by Southwest (SXSW) festival, on March 11

Shawn Elliott, 79, singer and actor, on March 11
Shawn Elliott – Shame And Scandal In The Family (1965)

Joe Ascione, 54, jazz drummer, on March 11

Tommy Brown, 84, R&B singer, on March 12
The Griffin Brothers Orchestra feat. Tommy Brown – Tra-La-La (1951)

Conor Walsh, 36, Irish indie pianist and composer, on March 12

Daryl Coley, 60, gospel singer, on March 15
Vanessa Bell Armstrong & Daryl Coley – Comfort Ye My People (1992)

Ryo Fukui, 67, Japanese jazz pianist, on March 15

Frank Sinatra Jr., 72, singer and actor, on March 15
Frank Sinatra Jr. – Shadows On A Foggy Day (1967)

Lee Andrews, 79, doo-wop singer, on March 16
Lee Andrews & The Hearts – Try The Impossible (1958)

Steve Young, 73, country singer–songwriter, on March 17
Steve Young – Seven Bridges Road (1969)

David Egan, 61, Cajun rock musician, on March 18
David Egan – Bourbon In My Cup (2008)

Scabs, 41, drummer with punk outfit Frankenstein Drag Queens from Planet 13, on March 19

Phife Dawg, 45, member of hip hop group A Tribe Called Quest, on March 22
A Tribe Called Quest – Oh My God (1994)

James Jamerson Jr, 58, session bass player, member of funk band Chanson, on March 23
Chanson – Don’t Hold Back (1978)
The Crusaders – Carnival Of The Night (1979, on bass)

Jimmy Riley, 61, Jamaican reggae singer, on March 23
The Sensations – Everyday Is Like A Holiday (1969)

Roger Cicero, 45, German jazz and pop singer, on March 24
Roger Cicero – Schieß mich doch zum Mond (2006)

Peter Andreoli (Anders), 74, doo wop singer, songwriter, producer, on March 24
The Videls – Mr Lonely (1960)
The Ronettes – The Best Part Of Breaking Up (1964, as co-writer)

Joe Skyward, 57, bassist with Sunny Day Real Estate, The Posies, on March 26

Ross Shapiro, singer-guitarist of Indie band The Glands, announced on March 26
The Glands – Livin’ Was Easy (2000)

David Baker, 84, jazz musician, composer and academic, on March 26

Patty Duke, 69, American actress and singer, on March 29
Patty Duke – Don’t Just Stand There (1965)

Andy Newman, 73, pianist of British band Thunderclap Newman, announced on March 30
Thunderclap Newman – Something In The Air (1969)

Larry Payton, drummer of funk group Brass Construction, announced on March 30
Brass Construction – Changin’ (1975)

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Not Feeling Guilty Mix Vol. 6

March 31st, 2016 4 comments

Not Feeling Guilty Mix Vol. 6

Six mixes in, and still not feeling guilty. This kind of music has an inexhaustible well.

Most of the artists here have featured before or are well-known, such as Carole King who is making her series debut here.

I’m not quite sure whether Donnie Iris really belongs here; his Do You Compute sounds sufficiently like it might be a Toto song, albeit with a touch of American New Wave. Anyway, I think it fits. The song was used to promote the game console and computer company Atari.

Dave Mason was, of course, a member of Traffic, for whom he wrote the iconic Hole In My Shoe and Feelin’ Alright. As a solo artist he previously featured on The Jim Keltner Collection Vol. 1. We Just Disagree, the 1977 track featured here, was Mason’s biggest solo hit, peaking at #12 in the US.

Jess Roden also had a Traffic connection: he collaborated with both Jim Capaldi and Steve Winwood. Apart from fronting several bands, Roden was a songwriter and backing singer, doing vocals in the late 1960s/early 1970s on albums by the likes of The Who, Jim Capaldi, Sandy Denny and Mott the Hoople, and also backed Grace Jones on her 1981hit Pull Up To My Bumper.

Larry John McNally released very little music himself: three LPs and a clutch of singles. He was more of a songwriter, providing songs for the likes of Bonnie Raitt (Nobody’s Girl; Slow Ride), Rod Stewart (The Motown Song), Joe Cocker (Long Drag Off A Cigarette), Chaka Khan (Sleep On It; A Woman In A Man’s World), Mavis Staples (I Don’t Want To Lose My Real Good Thing), Aaron Neville (Struttin’ On Sunday; Somewhere, Somebody), the Eagles (I Love To Watch A Woman Dance), among others.

The excellent female vocals on Boz Scaggs’ Miss Sun are by Lisa Dal Bello, who had previously sung it on a demo for Toto. When Toto passed the song on to Scaggs, the Canadian singer was invited to repeat her vocals.

As always, the mix is timed to fit on a standard CD-R and includes covers. PW in comments.

1. Little River Band – It’s A Long Way There (1975)
2. Player – Silver Lining (1978)
3. Donnie Iris – Do You Compute (1982)
4. Carole King – Lookin’ Out For Number One (1982)
5. Santana – Hold On (1981)
6. Boz Scaggs – Miss Sun (1980)
7. Eric Tagg – Promises Promises (1982)
8. The Doobie Brothers – Real Love (1980)
9. Bobby Caldwell – Coming Down From Love (1980)
10. Dave Mason – We Just Disagree (1977)
11. Chicago – Take Me Back To Chicago (1977)
12. Dan Fogelberg & Tim Weisberg – The Power Of Gold (1978)
13. Pablo Cruise – Love Will Find A Way (1978)
14. Nicolette Larson – Dancin’ Jones (1979)
15. Robbie Dupree – I’ll Be The Fool Again (1981)
16. Gino Vannelli – Living Inside Myself (1980)
17. Larry John McNally – Just Like Paradise (1981)
18. Jess Roden – Brand New Start (1980)
19. Crosby, Stills & Nash – Just A Song Before I Go (1977)
20. Jay Ferguson – Shakedown Cruise (1979)

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Not Feeling Guilty Mix Vol. 1
Not Feeling Guilty Mix Vol. 2
Not Feeling Guilty Mix Vol. 3
Not Feeling Guilty Mix Vol. 4
Not Feeling Guilty Mix Vol. 5